Science & Tech 29 August 2013 Twitter’s thin blue line: a velvet rope to connect the riff-raff to the elite The latest update to the social network is simply a helpful little line to make it easier to follow a conversational thread. In reality, it will mean that the clubby little chats of the great and good will be even more difficult to avoid. Sign up for our weekly email * Print HTML How Barack Obama got elected I’ll never know. With rhetoric centred around the repeated use of the word ‘change’ he somehow appealed to the Social Media generation. And if we know one thing about them it’s this; they don’t like change. You only have to wander into Facebook after one of its thrice-monthly makeovers to know that’s true. The kind of wailing and rending of garments you’ll see after a minor alteration of the network’s news feed hasn’t been witnessed since Moses nearly missed his print deadline for The Book Of Job. Now — setting aside for a moment the possibility that Syrian hackers have compromised the network in a peculiarly constructive way — Twitter has a social upheaval of its own. The principal difference between the two leading social networks is that while Facebook is unapologetically a platform for closed friendship groups, Twitter aspires to be The National Conversation. The latest update to the Twitter web client introduces a helpful little line to make it easier to follow a conversational thread. Hardly groundbreaking stuff. The thinking behind the (by default) blue line is to promote conversation. To encourage people to butt in to the conversations they see going on around them. To promote tweets that are engendering conversations over random shouts in the darkness. . In essence, Twitter wants some of Facebook’s action. But of course the blue line is also a velvet rope. There’s an élite on Twitter as there is everywhere else. And, as they do everywhere else, they all know each other. Unless you regularly consult Wikipedia you can often forget that an awful lot of politicians, actors and broadsheet columnists — no matter how egalitarian their standpoint, are either descended from someone famous, married to someone famous, or used to fag for someone famous at Eton. On Twitter, it’s all too obvious that the cool kids all know each other. The national conversation is shot through with a skein of the great and the good chatting about meeting up later at one anothers’ book launches, or commiserating with one another about the hangovers they’re suffering after last night’s première. Those conversations could be taking place via email, or in direct messages, rather than constituting a virtual Mean Girls lunch table to which the rest of us aren’t invited. But let’s be charitable. Maybe all those cool kids are just too hungover to send emails. There are an awful lot of book launches every week. Twitter happily tells us that “great conversations happen on Twitter every day” and that “they’re now easier to find and enjoy.” What they have become, in fact, is harder to avoid. The great school cafeteria of Twitter has been arranged to that we’re all in earshot of the cool kids table, all the time. There is scope, and I’m sure I’m not the first person to notice this, to exploit Twitter’s new conversation lines. For commercial interests to link tweets to give them more conversational ‘weight’ and float them to the top of more timelines. So, in summation. Ordinary people don’t like the blue lines because they don’t like change of any kind. The cool kids won’t notice the blue lines because they’ve always used Twitter as a conversational medium anyway. And unless Twitter are getting a kickback from the commercial operators that will swoop in to exploit the new opportunity, they won’t derive much benefit from it. If we were rational about social networking, the blue line would soon become so ubiquitous as to become effectively invisible. As we’re not, I doubt if it’ll last until the end of the Obama administration. › India has to make the fight against rape something that cannot be ignored A still from Twitter's video introducing the update to its web client. Michael Moran is the television columnist for the Lady magazine and the creator of the literary spoof “100 Books I'll Never Write". Subscribe from just £1 per issue More Related articles When it comes to social media, we all have a responsibility to avoid sharing upsetting images Pupils need internet classes? Here are 41 lessons they should learn Extremist ads and LGBT videos: do we want YouTube to be a censor, or not?