Diary: Internet trolls, Twitter rape threats and putting Jane Austen on our banknotes

Caroline Criado-Perez starts the week in triumph as the Bank of England agrees to keep women of merit on our banknotes . . . and sinks into despair as trolls on Twitter line up the promises to rape, torture and kill her.

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It’s Wednesday morning and I’m still debating whether or not to wear my Jane Austenesque dress down to Hampshire. I’m about to attend a public announcement by the Bank of England that, in response to three months of campaigning for female representation on banknotes, it is instigating a review of its procedures and will in the meantime confirm Austen for the next tenner.
 
I opt for a simple red dress, concerned that otherwise the media will paint me as some sort of deranged Jane Austen fangirl – which, to be fair, I am. And, as it happens, I end up painted as such in the press anyway.
 
I head off, purged of Regency regalia, to Austen’s house, where I look forward to being able to announce finally what I’ve known for over a week: that we took on an establishment institution and won.
 
Standing next to the Bank of England governor, Mark Carney, and the politicians Stella Creasy and Mary Macleod, I think: this is an amazing experience.
 

Torrent of abuse

 
But then, suddenly, it isn’t. Among the many good wishes pouring into my Twitter timeline, one @JackRiley92 has decided to let me know that he has taken umbrage at the outcome of my campaign. And he lets me know in a way used by domineering men down the ages when a woman gets a bit uppity: he makes a threat of rape – to be specific, violent anal rape.
 
This is just the beginning. Over the next couple of weeks I receive a steady stream of violent abuse, including rape and death threats. At its peak I am getting about one threat a minute, with men discussing how they will rape me together, which parts of my body will be penetrated and exactly how they are going to kill me. They are still coming in now – the latest: a death-throughgang- rape threat where I’m told to “KISS YOUR PUSSY GOODBYE AS WE BREAK IT IRREPARABLY”.
 
I feel like pointing out that if I’m dead, the state of my “pussy” will be the least of my concerns, but it seems a bit pedantic. 
 

Knock, knock! Who’s there?

 
The threats are vivid, graphic, horrific. I can’t help visualising them. I stop eating, I can’t sleep, I keep crying from sheer exhaustion and despair at the hatred for women that is pouring relentlessly into my Twitter feed.
 
While I am in this state, the media come knocking – literally. A London Evening Standard journalist turns up on my doorstep at 10.15pm on Sunday night. My first reaction is a surge of adrenalin and fear; my second, fury at the thoughtless insensitivity. Then back to fear, as I wonder how she has found my address.
 
For the most part, though, the media are supportive and understanding, if relentless. I am pleased that they are running the story – what is happening to me has happened to too many other people before, without anyone batting an eyelid. It is good to see it taken seriously and I feel it’s my responsibility to speak to as many journalists as I can, in part to put pressure on platforms such as Twitter, and on the police, to take it seriously. If this has to happen to me, I am determined that I will use it to try as hard as I can to make sure it doesn’t happen to anyone else. It’s vital to make sure no one else is silenced.
 

Asking for it

 
Perhaps inevitably, given the antipathy towards any woman who isn’t a good, quiet little miss, it isn’t long before soi-disant supporters turn on me. “This is getting boring,” I am told. “Enough now.” I am making people uncomfortable. If I continue to “feed the trolls”, I deserve all I get. Never mind that ignoring or blocking only results in new accounts being set up – or the trolls simply finding a new victim. Never mind that my “trolls” are trying to shut me up. Never mind: take this awkward truth away.
 
Given the celebrity-obsessed society we live in, it is no surprise that a regular dripdrip of tweets comes through accusing me of “milking” the threats for fame, as if I had somehow invited them. As if I – as if anyone – could enjoy it. Some people, clearly more enterprising than me, accuse me of making money out of the situation. This is a suggestion that has sadly yet to come to fruition.
 

Now what?

 
The past couple of weeks have been surreal. Before the whirlwind of rape threats and press interviews, I was finishing up my MSc at LSE (now deferred) and campaigning for the use of more women experts in the media through the online directory the Women’s Room. The most high-profile thing I’d ever done was run the banknotes campaign – a campaign I started in a moment of rage at yet another decision wiping out women’s contribution to history, hampering the aspirations of young girls growing up without female role models. I was just another anonymous voice in the melee.
 
Now, I no longer recognise my life. I am suddenly someone with a “platform” and despite the abuse that got me here, this has made me public property. Suddenly I am contacted by anyone and everyone with a grievance or a story to run. I am expected to hold forth on all the ills of the world, I must condemn people and acts on request, and if I don’t, if I am just struggling to keep my head above water right now, I am deemed inadequate – someone to be pilloried.
 
The response from Twitter is initially woeful: the head of journalism and news, Mark Luckie, locks his account and blocks me personally as a result of people contacting him to tell him about the abuse I am receiving. The police are initially quick to respond but then achingly slow to act. Now, no doubt due to the intense media coverage, they are both acting. Twitter has taken some baby steps towards supporting the victims rather than the criminals, and the police have applied the resources they need to the problem and made some arrests. The next step is to make sure that this is a solution for everyone, not just those with a “platform”.
 
I don’t know where my life will go from here. I wonder whether the abuse will ever stop. I wonder if I am for ever doomed to be “that rapey girl off Twitter”. I wonder if I will ever gain control over my life again.
Caroline Criado-Perez (right) with Mary Macleod, Mark Carney and Stella Creasy unveiling the new Jane Austen £10 note. Photo: Getty

Caroline Criado-Perez is a freelance journalist and feminist campaigner. She is also the co-founder of The Women's Room and tweets as @CCriadoPerez.

This article first appeared in the 12 August 2013 issue of the New Statesman, What if JFK had lived?

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Why Twitter is dying, in ten tweets

It's ironic that the most heated discussions of the platform's weaknesses are playing out on the platform itself. 

Twitter has been dying since 2009, and commentators have pre-emptively declared it deceased pretty much every year since. To declare that it's on the downturn has become a bit of a cliché. But that doesn't mean that it isn't also, well, true.

Grumbling among users and commentators has grown to a roar over the past few days, thanks in part to a Buzzfeed report (refuted by Jack Dorsey, Twitter's CEO) claiming the service will move away from a chronological timeline and towards an algorithmic one. Users coined the hashtag #RIPTwitter in response, and, tellingly, many of their complaints spanned beyond the apparently erroneous report. 

They join a clutch of other murmurings, bits of data and suggestions that things are not as they should be in the Twitter aviary. 

Below is one response to the threat of the new timeline, aptly showing that for lots of users, the new feed would have been the straw that broke the tweeters' backs:

Twitter first announced it was considering a new 10,000 character limit in January, but it's yet to be introduced. Reactions so far indicate that no one thinks this is a good idea, as the 140 character limit is so central to Twitter's unique appeal. Other, smaller tweaks – like an edit button – would probably sit much more easily within Twitter's current stable of features, and actually improve user experience: 

While Dorsey completely denied that the change would take place, he then followed up with an ominous suggestion that something would be changing:

"It'll be more real-time than a feed playing out in real time!" probably isn't going to placate users who think the existing feed works just fine. It may be hard to make youself heard on the current timeline, but any kind of wizardry that's going to decide what's "timely" or "live" for you is surely going to discriminate against already alienated users.

I've written before about the common complaint that Twitter is lonely for those with smaller networks. Take this man, who predicts that he'll be even more invisible in Twitter's maelstrom if an algorithm deems him irrelevant: 

What's particularly troubling about Twitter's recent actions is the growing sense that it doesn't "get" its users. This was all but confirmed by a recent string of tweets from Brandon Carpenter, a Twitter employee who tweeted this in response to speculation about new features:

...and then was surprised and shocked when he received abuse from other accounts:

This is particularly ironic because Twitter's approach (or non-approach) to troll accounts and online abusers has made it a target for protest and satire (though last year it did begin to tackle the problem). @TrustySupport, a spoof account, earned hundreds of retweets by mocking Twitter's response to abuse:

Meanwhile, users like Milo Yiannopolous, who regularly incites his followers to abuse and troll individuals (often women and trans people, and most famously as part of G*merg*te), has thrived on Twitter's model and currently enjoys the attentions of almost 160,000 followers. He has boasted about the fact that Twitter could monetise his account to pull itself out of its current financial trough:

The proof of any social media empire's decline, though, is in its number and activity of users. Earlier this month, Business Insider reported that, based on a sample of tweets, tweets per user had fallen by almost 50 per cent since last August. Here's the reporter's tweet about it:

Interestingly, numbers of new users remained roughly the same – which implies not that Twitter can't get new customers, but that it can't keep its current ones engaged and tweeting. 

Most tellingly of all, Twitter has stopped reporting these kinds of numbers publicly, which is why Jim Edwards had to rely on data taken from an API. Another publication followed up Edwards' story with reports that users aren't on the platform enough to generate ad revenue:

The missing piece of the puzzle, and perhaps the one thing keeping Twitter alive, is that its replacement hasn't (yet) surfaced. Commentators obsessed with its declining fortunes still take to Twitter to discuss them, or to share their articles claiming the platform is already dead. It's ironic that the most heated discussions of the platform's weaknesses are playing out on the platform itself. 

For all its faults, and for all they might multiply, Twitter's one advantage is that there's currently no other totally open platform where people can throw their thoughts around in plain, public view. Its greatest threat yet will come not from a new, dodgy feature, but from a new platform – one that can actually compete with it.

Barbara Speed is a technology and digital culture writer at the New Statesman and a staff writer at CityMetric.