Once the full stop meant a sentence was over - now it means you're angry

The perpetual flow of instant messaging fears a heavy full stop - it means the conversation is over, or that you're being sarcastic, or angry. How did this happen to a once neutral punctuation mark?

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The period was always the humblest of punctuation marks. Recently, however, it’s started getting angry. I’ve noticed it in my text messages and online chats, where people use the period not simply to conclude a sentence, but to announce “I am not happy about the sentence I just concluded.”

Say you find yourself limping to the finish of a wearing workday. You text your girlfriend: “I know we made a reservation for your bday tonight but wouldn’t it be more romantic if we ate in instead?” If she replies,

we could do that                                                                                            

Then you can ring up Papa John’s and order something special. But if she replies,

we could do that.                                                                                             

Then you should probably drink a cup of coffee: You’re either going out or you’re eating Papa John’s alone.

This is an unlikely heel turn in linguistics. In most written language, the period is a neutral way to mark a pause or complete a thought; but digital communications are turning it into something more aggressive. “Not long ago, my 17-year-old son noted that many of my texts to him seemed excessively assertive or even harsh, because I routinely used a period at the end,” Mark Liberman, a professor of linguistics at the University of Pennsylvania, told me by email. How and why did the period get so pissed off?

It might be feeling rejected. On text and instant message, punctuation marks have largely been replaced by the line break. I am much more likely to type two separate messages without punctuation:

sorry about last night                                                                            
next time we can order little caesars                                                                      

Than I am to send a single punctuated message: 

I’m sorry about last night. Next time we can order Little Caesars.

And, because it seems begrudging, I would never type:

sorry about last night.                                                                                
next time we can order little caesars.                                                                    

“The unpunctuated, un-ended sentence is incredibly addicting,” said Choire Sicha, editor of the Awl. “I feel liberated to make statements without that emphasis, and like I’m continuing the conversation, even when I’m definitely not.”

Other people probably just find line breaks more efficient. An American University study of college students’ texting and instant messaging habits found they only used sentence-final punctuation 39 percent of the time in texts and 45 percent of the time in online chats. The percentages were even lower for “transmission-final punctuation”: 29 percent for texts and 35 percent for IMs. The same is likely true of Twitter, where the 140-character limit has made most punctuation seem dispensable.

“In the world of texting and IMing … the default is to end just by stopping, with no punctuation mark at all,” Liberman wrote me. “In that situation, choosing to add a period also adds meaning because the reader(s) need to figure out why you did it. And what they infer, plausibly enough, is something like ‘This is final, this is the end of the discussion or at least the end of what I have to contribute to it.’”

It’s a remarkable innovation. The period was one of the first punctuation marks to enter written language as a way to indicate a pause, back when writing was used primarily as a record of (and script for) speech. Over time, as the written word gained autonomy from the spoken word, punctuation became a way to structure a text according to its own unique hierarchy and logic. While punctuation could still be used to create or suggest the rhythms of speech, only the exclamation point and question mark indicated anything like what an orator would call “tone.”

“Explicit representations of the emotional state of the person doing the writing are fairly rare,” said Keith Houston, author of Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks. Writers, linguists, and philosophers have occasionally tried to invent new punctuation marks to ease the difficulty of inflecting tone in writing. The “irony mark,” in particular, has been proposed many times. But none of these efforts has been successful.

Now, however, technology has led us to use written language more like speech—that is, in a real-time, back-and-forth between two or more people. “[P]eople are communicating like they are talking, but encoding that talk in writing,” Clay Shirky recently told Slate. This might help explain the rise of the line break: It allows people to more accurately emulate in writing the rhythm of speech. It has also confronted people with the problem of tone in writing, and they’re trying to solve it with the familiar punctuation marks that the line break largely displaced.

It’s not just the period. Nearly everyone has struggled to figure out whether or not a received message is sarcastic. So people began using exclamation points almost as sincerity markers: “I really mean the sentence I just concluded!” (This is especially true of exclamation points used in sequence: “Are you being sarcastic?” “No!!!!!”) And as problems of tone kept arising on text and instant message, people turned to other punctuation marks on their keyboards rather than inventing new ones. The question mark has similarly outgrown its traditional purpose. I notice it more and more as a way to temper straightforward statements that might otherwise seem cocky, as in “I’m pretty sure he likes me?” The ellipsis, as Slate noted, has come to serve a whole range of purposes. I often see people using it as a passive-aggressive alternative to the period’s outright hostility—an invitation to the offender to guess at his mistake and remedy it. (“No.” shuts down the conversation; “No…” allows it to continue.)

Medial punctuation, like the comma and parentheses, has yet to take on emotional significance (at least as far as I’ve observed). And these newfangled, emotional uses of terminal punctuation haven’t crossed over into more traditional, thoughtful writing. (I have used the period throughout this story, and I’m in a perfectly pleasant mood.) Perhaps one day it will, though, and our descendants will wonder why everyone used to be so angry. For posterity’s sake, then, let my author bio be clear:

Ben Crair is a story editor at The New Republic!

This article was originally published on

The new roll of the full stop represents a heel turn in linguistics. Image: Getty Images.
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"I won't do this forever": meet Alternative leader, Uffe Elbæk – Denmark's Jeremy Corbyn

The Alternative party leader speaks frankly about his party's journey from being seen as a comedy sideshow to taking nine seats in the Danish elections.

In Britain, popular anti-politics sentiment has engulfed the Labour party, through Jeremy Corbyn. In Denmark's splintered, assorted political landscape, it has created a party called the Alternative. The barely two-year-old party was depicted as a comedic sideshow before June's elections. But with nine of 179 seats, they embarrassed all electoral predictions, including their own. Their rise owes to a growing European gripe with politics as usual, as well as to growing chasms within Danish politics.

"I don't want to do this forever. I want to be a pensioner, lay on a beach somewhere, write books and make money from speeches." Embracing his maverick figure, the 61-year-old witty, self-deprecating leader, Uffe Elbæk, has become one of the most resonant voices in Danish politics. As an ex-culture minister he was tarred by conflict of interest accusations leading to him to voluntarily step down as minister in 2012. He was later cleared of wrongdoing but the ridicule in the media stuck. His re-emergence in Danish politics is no longer trivial. His party has struck a match on a sentiment he claims is not European but international.

"What we see across Europe is a growing divide between politicians and their electorate. We are trying to bridge that divide and move from a representative democracy to a far more involving democracy. You see the same in the Scottish Referendum, in Syriza, in Podemos, in a way in Bernie Sanders and, of course, in Jeremy Corbyn".

In tandem with the rise of populist parties in Europe, they've capitalised on a discontent with mainstream politics, perceived spin and sound bite. In the last elections, the Alternative refused to directly persuade the electorate to vote for them, instead encouraging them to vote on their convictions.

“We are critical of the neoliberal doctrine from Thatcher and Reagan and growing inequality," explains Elbæk. "But I believe deeply in human potential and creating a more entrepreneurial, creative society based on progressive values".

The party decides its policies in what they call "political laboratories" where members and non-members are invited to share, hone, and develop policy ideas. The party is in many respects what it says on the tin. Despite flinching away from left and right political categories, they are staunchly pro-environment and pro-immigration.

"A lot of progressives do a lot of good things in the grassroots, but the reality is that few want to go into the big party machines." The Alternative has been a huge grassroots built campaign, attracting exactly those types of voters. It has gained over 6,000 members in its first two years, a remarkable feat as membership across Danish political parties steadily declines.

The party appeals to a desire, more prominent on the left of the Danish electorate, for a straight-talking, green party not overtly party political but reminiscent of conventionally Scandinavian values of tolerance and consensus. It is hawkish about whether socialist-inspired thinking is condusive to modern challenges, but similarly it believes in harnessing public support directly. They are a growing albeit slightly hippy and unconventional vehicle for political expression.

The migrant crisis has exposed chasms in Danish politics. Controversial proposals to advertise anti-refugee adverts, by integration minister Inger Støjberg, have sparked widespread concern. From across politics and from business, there has been a steady reel of expressed concern that Denmark risks creating a perception of intolerance to foreigners.

A private Danish group called People Reaching Out, published adverts in the same four Lebanese newspapers that ran the anti-refugee ads. Crowdfunding over £16,000, they replicated the original ads writing, "sorry for the hostility towards refugees expressed here. From people's to people's we wish to express our compassion and sympathy to anyone fleeing war and despair".

Michala Bendixen, who heads the campaign group, Refugee's Welcome, wrote an op-ed in The Daily Star, one of the Lebanese papers which carried the ad. She stated that, "the adverts give a completely distorted picture of the situation", clarifying that the Danish asylum process was amongst the fastest in Europe.

Støjberg's reforms to immigration and almost 50 per cent cuts to refugee benefits have made her a controversial figure but despite much criticism, topped a recent poll of ministers in the current government that voters felt were doing well. Largely on the back of a hardline position on immigration, the Danish People's Party won 21 per cent of the popular vote in this year's elections. Similarly to many countries across Europe, the migrant crisis has been emotive and polarising. On that divide, the Alternative has been categorical.

"In Denmark there is one thing happening in politics and another in the streets," says Elbæk. "There is a disgraceful lack of empathy from politicians but the reaction from the Danish people has been really touching. Suddenly we were seeing hundreds of refugees on our motorways, and it came as a reality shock to the Danish people. But they responded to it by offering shelter, food, water, and blankets."

Denmark's new government is hardening its position on immigrants and refugees. The split reaction reflects a more polarised terrain. There is a debate about what Denmark's values really are, and whether the migrant crisis betrays or protects them. Within it, the Alternative, partly motley, but with a non-trivial and rising electoral appeal, are an increasingly influential voice.