Women on bank notes: I was wrong

What looked at first to me like a trivial issue opened up a vital debate about the importance of women's achievements in our society.

Here's the thing: I was wrong.

When Caroline Criado-Perez first started making noise about the fact that the Bank of England had dropped the only woman chosen to be on a banknote - Elizabeth Fry - and replaced her with Winston Churchill, I didn't think it was a big deal. Aren't there bigger things to worry about than who gets pictured on our money? What about rape, domestic violence, global hunger, income inequality, the fact I can't find a shoe that is comfortable and stylish? Why are bloody feminists always obsessing over the small stuff instead of solving the real problems?

Now, I've realised that this the line of reasoning that ends, inexorably, with you posting the comment "HOW IS THIS NEWS?!? F1!RST!" on Guardian stories about otters. 

First, the kind of people who complain that an activist isn't focusing on the Real Problem aren't usually focusing on it themselves, either. They're just looking for a cheap, armchair way to feel like they're better than someone else. (Also, on a general note, being a dick to people on Twitter is not activism.)

Second, faced with a huge array of injustices, it's better to do something than do nothing, always. (I don't think Criado-Perez would have cracked the Middle East peace process if only she hadn't been too busy with banknotes.) There's a power in small, symbolic actions; I mean, what was Gandhi thinking when he had a stroll to the sea to make salt? Who cares about salt, right, when there's independence to fight for? 

Third, and this is where my really big apology comes - actually, this campaign is really important. Because of it, we've had a conversation, as high up as George Osborne and Maria Miller, about the sidelining of women in British history. People have had the chance to talk about what women they admire in the story we tell about ourselves and our country. It prompted Ed Miliband to give a speech about the representation of women in public life, and it gave Osborne the chance to do a pun on Twitter. It allowed all the tweeters who knee-jerked to "yeah but there is a woman - the Queen" a moment to reflect why the Queen is there, compared with those who are there on merit, and why women might find that insulting. It helps education campaigners vocalise why they are unhappy with a national history curriculum focused on "posh white blokes".

And it allowed Tory MP Mary Macleod to indulge in the most shameless piece of glory-hunting since John Terry. 

Most of all, it gave a template for a successful, focused campaign. Asking women to protest outside the Bank of England dressed as their favourite historical characters was a stroke of genius, giving the media a fun story (and good pictures to use every time they then wrote about the campaign - making it more likely to be reported prominently).

Criado-Perez might not have "smashed patriarchy", but she has shown that you can make the world better, even if only by a fraction. And that is a damn sight better than nothing. 

 

Criado Perez protests outside the Bank of England. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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The economics of outrage: Why you haven't seen the end of Katie Hopkins

Her distasteful tweet may have cost her a job at LBC, but this isn't the last we've seen of Britain's biggest troll. 

Another atrocity, other surge of grief and fear, and there like clockwork was the UK’s biggest troll. Hours after the explosion at the Manchester Arena that killed 22 mostly young and female concert goers, Katie Hopkins weighed in with a very on-brand tweet calling for a “final solution” to the complex issue of terrorism.

She quickly deleted it, replacing the offending phrase with the words “true solution”, but did not tone down the essentially fascist message. Few thought it had been an innocent mistake on the part of someone unaware of the historical connotations of those two words.  And no matter how many urged their fellow web users not to give Hopkins the attention she craved, it still sparked angry tweets, condemnatory news articles and even reports to the police.

Hopkins has lost her presenting job at LBC radio, but she is yet to lose her column at Mail Online, and it’s quite likely she won’t.

Mail Online and its print counterpart The Daily Mail have regularly shown they are prepared to go down the deliberately divisive path Hopkins was signposting. But even if the site's managing editor Martin Clarke was secretly a liberal sandal-wearer, there are also very good economic reasons for Mail Online to stick with her. The extreme and outrageous is great at gaining attention, and attention is what makes money for Mail Online.

It is ironic that Hopkins’s career was initially helped by TV’s attempts to provide balance. Producers could rely on her to provide a counterweight to even the most committed and rational bleeding-heart liberal.

As Patrick Smith, a former media specialist who is currently a senior reporter at BuzzFeed News points out: “It’s very difficult for producers who are legally bound to be balanced, they will sometimes literally have lawyers in the room.”

“That in a way is why some people who are skirting very close or beyond the bounds of taste and decency get on air.”

But while TV may have made Hopkins, it is online where her extreme views perform best.  As digital publishers have learned, the best way to get the shares, clicks and page views that make them money is to provoke an emotional response. And there are few things as good at provoking an emotional response as extreme and outrageous political views.

And in many ways it doesn’t matter whether that response is negative or positive. Those who complain about what Hopkins says are also the ones who draw attention to it – many will read what she writes in order to know exactly why they should hate her.

Of course using outrageous views as a sales tactic is not confined to the web – The Daily Mail prints columns by Sarah Vine for a reason - but the risks of pushing the boundaries of taste and decency are greater in a linear, analogue world. Cancelling a newspaper subscription or changing radio station is a simpler and often longer-lasting act than pledging to never click on a tempting link on Twitter or Facebook. LBC may have had far more to lose from sticking with Hopkins than Mail Online does, and much less to gain. Someone prepared to say what Hopkins says will not be out of work for long. 

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