The power of gusto

A documentary about a heavy metal prodigy tugs at the heart.

What an emotionally exhausting week this is for UK cinemagoers. Whichever way you slice it, whichever demographic you belong to, handkerchiefs will be called for. I don’t care whether you’re at a genteel arthouse cinema or a 29-screen megaplex, this is going to be tough. Michael Haneke’s Palme d’Or-winning Amour, which I review in this week’s magazine, surely has the greatest claim on the nation’s tear-ducts, focusing as it does on an elderly man caring for his wife, who has suffered a stroke. But let’s not discount the final instalment in the Twilight series, Breaking Dawn Part 2, which is going to break the hearts of those same teenagers who have only just recovered from bidding farewell to their childhoods a few years back with Toy Story 3. How will they survive without Edward, Bella, Dave, Dee, Dozy, Beaky, Mitch and Tich?

Also released this week is Jason Becker: Not Dead Yet. Don’t be scared off by the title. Before seeing it, I had no idea who Jason Becker was or whether he was living or deceased. Nor did I expect to be giving any time to a documentary about a young guitar virtuoso drawn to the poodle-permed, tight-jeaned heavy metal scene and prone to performing protracted, squealing solos that last for several months at a time. Becker was a true prodigy, largely self-taught and with an intrinsic grasp on technique and theory that left veterans dazed. At 16, he recorded with Marty Friedman, later of arena-friendly metal giants Megadeth, under the name Cacophony. When they broke up after their second album, he was recruited into David Lee Roth’s band.

Before he could relish fully this coveted appointment, he was diagnosed with the degenerative disease ALS. His musical career, and his life, hit the buffers. He went from walking with canes to using a wheelchair to being completely paralysed, able only to move his eyes. Even these obstacles didn’t halt him.

The picture is cleverly assembled from archive footage and modern interviews by the director, Jesse Vile: such an inappropriate name for so compassionate a filmmaker. Vile has put into his movie exactly the right measures of pain and hope. For its first 40 minutes or so, we get to savour Jason Becker’s dazzling early years—the talent show footage, the home videos with that distinctive 1980s optical fuzz that makes you think Matt Dillon and Tatum O’Neal are just out of shot, wearing crop-tops and chewing Juicy Fruit. A single shot of Becker as he is today, his still-cherubic face framed with the same cascades of hair that advertise his fidelity to metal, is inserted into this early section, perhaps so that the shock to come won’t feel like a calculated ambush. But the foundations for the rest of the film are laid successfully by the poignant archive material: by the time Becker is savaged by ALS, we have a strong sense of his talent and potential against which to place the devastating diagnosis.

The wonder of Jason Becker: Not Dead Yet is that it mirrors its subject in refusing to become bogged down in the maudlin. As well as being deftly edited, it draws a lot of its energy from the extraordinary optimism and gusto of Becker’s family and friends. (His parents had already devoted their lives to him even before his illness, and he seems to have an entire network of ex-girlfriends willing to tend to him.) I also liked the use of Becker’s father’s paintings as both palate-cleansers and narrative stopgaps. They contribute to a continuity of thought and emotion on screen. The movie flows much as Becker’s life has done, interrupted but not derailed by the catastrophe at its centre.

"Jason Becker: Not Dead Yet" opens in the UK on 16 November.

Jason Becker. Credit: "Jason Becker: Not Dead Yet"

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

Photo: Channel 4
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Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.