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   <title>New Statesman - <![CDATA[Roger Wright]]></title>
   <link>http://www.newstatesman.com/writers/roger_wright</link>
 
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   <title><![CDATA[Family matters]]></title>
   <link>http://www.newstatesman.com/music/2008/07/night-tradition-proms-debate</link>
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   <pubDate>Thu, 10 Jul 2008 09:18:50 GMT</pubDate>
   <dc:creator>Roger Wright</dc:creator>
  
  <description><![CDATA[<p><em>When Roger Wright became the Proms' new director, debate raged even in his own household about whether he should tamper with the Last Night</em></p>

<p>It was a traditional bank holiday family gathering in the Wright household. The traditional British summer weather was much in evidence and the garden furniture was left outside in the pouring rain. Another tradition then took over: the family discussion that threatens to turn into something more heated. The subject in question was that most traditional of events, the Last Night of the Proms. "What are you going to do  <a href="http://www.newstatesman.com/music/2008/07/night-tradition-proms-debate">[...]</a></p>
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   <title><![CDATA[The shock of the new]]></title>
   <link>http://www.newstatesman.com/200611060033</link>
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   <pubDate>Mon, 06 Nov 2006 12:00:00 GMT</pubDate>
   <dc:creator>Roger Wright</dc:creator>
  
  <description><![CDATA[<p><em>We love contemporary art and literature. So why does music have such an image problem? </em></p>

<p>We are living in a glorious period for contemporary British musical composition. There are more first-rate composers living and working in the UK than at any time in our history. Among others, Harrison Birtwistle, Brian Ferneyhough, Judith Weir, George Benjamin, Oliver Knussen, Mark-Anthony Turnage and James Dillon have all written major works across a range of genres. Sadly, in the cases of Dillon and Ferneyhough, their profiles are higher abroad  <a href="http://www.newstatesman.com/200611060033">[...]</a></p>
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