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   <title>New Statesman - <![CDATA[Robin Simon]]></title>
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   <title><![CDATA[Playing the game]]></title>
   <link>http://www.newstatesman.com/art/2008/09/aime-maeght-miro-bonnard</link>
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   <pubDate>Thu, 25 Sep 2008 10:22:58 GMT</pubDate>
   <dc:creator>Robin Simon</dc:creator>
  
  <description><![CDATA[<p><em>Aimé Maeght, master manipulator of the art market, could have taught Charles Saatchi a thing or two</em></p>

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   <title><![CDATA[Poetry without motion]]></title>
   <link>http://www.newstatesman.com/arts-and-culture/2008/06/hammershoi-paintings-art</link>
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   <pubDate>Thu, 19 Jun 2008 10:15:33 GMT</pubDate>
   <dc:creator>Robin Simon</dc:creator>
  
  <description><![CDATA[<p><em>The paintings of Vilhelm Hammershři were derided in his lifetime for being stark and uneventful. To the modern viewer, however, they capture a mood of existential angst</em></p>

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   <title><![CDATA[Losing our marbles?]]></title>
   <link>http://www.newstatesman.com/books/2008/06/british-museum-elgin-marbles</link>
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   <pubDate>Thu, 05 Jun 2008 09:43:01 GMT</pubDate>
   <dc:creator>Robin Simon</dc:creator>
  
  <description><![CDATA[<p><em>It is one of the most controversial issues in the art world today - should museums disperse their collections and return antiquities to their original sites? In particular, should the Elgin Marbles in the British Museum be restored to Athens?</em></p>

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