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   <title>New Statesman - <![CDATA[Richard Cork]]></title>
   <link>http://www.newstatesman.com/writers/richard_cork</link>
 
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   <title><![CDATA[A walk on the dark side]]></title>
   <link>http://www.newstatesman.com/arts-and-culture/2007/01/buchel-installation-end</link>
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   <pubDate>Mon, 22 Jan 2007 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Richard Cork is horrified by Christoph Büchel's haunting installation in the East End of London</em></p>

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   <title><![CDATA[Painting power]]></title>
   <link>http://www.newstatesman.com/200610160036</link>
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   <pubDate>Mon, 16 Oct 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Diego Velázquez was a skilled politician as well as a master artist, finds Mark Irving on a visit to the El Escorial palace near Madrid. And right, Richard Cork analyses his most famous work, the enigmatic <em>Las Meninas</em></em></p>

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   <title><![CDATA[Losing our vision]]></title>
   <link>http://www.newstatesman.com/200610090033</link>
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   <pubDate>Mon, 09 Oct 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Richard Cork on why high prices do not inspire great art</em></p>

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   <title><![CDATA[The triumph of painting]]></title>
   <link>http://www.newstatesman.com/200608070033</link>
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   <pubDate>Mon, 07 Aug 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Forget video installations and performance art: the oldest medium is still the best, argues Richard Cork</em></p>

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   <title><![CDATA[Rider on the storm]]></title>
   <link>http://www.newstatesman.com/200607030038</link>
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   <pubDate>Mon, 03 Jul 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Haunted by visions of apocalypse and the approach of war, Kandinsky aimed to create a global "spiritual awakening". Richard Cork on the mystic who revolutionised 20th-century painting</em></p>

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   <title><![CDATA[LA confidential]]></title>
   <link>http://www.newstatesman.com/200606120038</link>
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   <pubDate>Mon, 12 Jun 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em><em>Richard Cork</em> finds the seamy underbelly of Hollywood on display at the Pompidou Centre</em></p>

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   <title><![CDATA[Dutch courage]]></title>
   <link>http://www.newstatesman.com/200604240027</link>
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   <pubDate>Mon, 24 Apr 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Art - Richard Cork on the pioneer collectors who turned the little-known Vincent Van Gogh into an avant-garde hero</em></p>

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   <title><![CDATA[Body of work]]></title>
   <link>http://www.newstatesman.com/200604030032</link>
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   <pubDate>Mon, 03 Apr 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Art - Richard Cork is astonished by the sculptural solidity of Michelangelo's drawings</em></p>

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   <title><![CDATA[Nature's cure]]></title>
   <link>http://www.newstatesman.com/200603200038</link>
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   <pubDate>Mon, 20 Mar 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Art - Richard Cork marvels at Jacob van Ruisdael's open-eyed grasp of the world</em></p>

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   <title><![CDATA[Making waves]]></title>
   <link>http://www.newstatesman.com/200603060034</link>
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   <pubDate>Mon, 06 Mar 2006 12:00:00 GMT</pubDate>
   <dc:creator>Richard Cork</dc:creator>
  
  <description><![CDATA[<p><em>Art - Winslow Homer's vision of the sea was transformed by the storm-racked English coast, finds Richard Cork</em></p>

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