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   <title>New Statesman - <![CDATA[Rachel Withers]]></title>
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   <title><![CDATA[The Fast lane]]></title>
   <link>http://www.newstatesman.com/200510030035</link>
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   <pubDate>Mon, 03 Oct 2005 12:00:00 GMT</pubDate>
   <dc:creator>Rachel Withers</dc:creator>
  
  <description><![CDATA[<p><em>Video Art - Colonial Americans comment on modern-day life in Omer Fast's edited world. Rachel Withers is intrigued</em></p>

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   <title><![CDATA[See Venice and cry]]></title>
   <link>http://www.newstatesman.com/200506270037</link>
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   <pubDate>Mon, 27 Jun 2005 12:00:00 GMT</pubDate>
   <dc:creator>Rachel Withers</dc:creator>
  
  <description><![CDATA[<p><em>Contemporary art - Earnest academic chat? Bright, media-friendly gossip? Rachel Withers finds the Venice Biennale overstuffed with breakfast meetings</em></p>

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   <title><![CDATA[Gurning and embroidered knickers]]></title>
   <link>http://www.newstatesman.com/200505230035</link>
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   <pubDate>Mon, 23 May 2005 12:00:00 GMT</pubDate>
   <dc:creator>Rachel Withers</dc:creator>
  
  <description><![CDATA[<p><em>A new exhibition presents a portrait of Britain by placing "alternative" artefacts - white vans, whoopee cushions and Women's Institute textiles - in a fine-art context. It's so very patronising</em></p>

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   <title><![CDATA[We're all in this together]]></title>
   <link>http://www.newstatesman.com/200503140037</link>
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   <pubDate>Mon, 14 Mar 2005 12:00:00 GMT</pubDate>
   <dc:creator>Rachel Withers</dc:creator>
  
  <description><![CDATA[<p><em>Tomoko Takahashi's installations are pilloried in the press as piles of rubbish, but they engage audiences in exciting new ways. Rachel Withers welcomes a refreshing alternative to Britart</em></p>

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