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   <title>New Statesman - <![CDATA[Maurice Walsh]]></title>
   <link>http://www.newstatesman.com/writers/maurice_walsh</link>
 
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   <title><![CDATA[An immodest proposal]]></title>
   <link>http://www.newstatesman.com/200401050036</link>
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   <pubDate>Mon, 05 Jan 2004 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>The Encyclopaedia of Ireland<br />Edited by Brian Lalor <em>Gill & Macmillan, 1,256pp, £50</em><br />ISBN 0717130002</em></p>

<p>In Peace in Ireland, his recent book on the Northern Irish Troubles, Richard Bourke tells a revealing story about Richard Crossman, secretary of state for social services during Harold Wilson's government of 1966-70. Referring to riots that had occurred at the Orange parades of 12 July 1969, Crossman wrote in his diary: "There had been commotions on St Patrick's Day, it may have been."</p>
<p>Although Northern Ireland no longer poses  <a href="http://www.newstatesman.com/200401050036">[...]</a></p>
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   <title><![CDATA[Oil rolls back the former Soviet borders]]></title>
   <link>http://www.newstatesman.com/200309150019</link>
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   <pubDate>Mon, 15 Sep 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>Control of Azerbaijan's vast oil resources has long been an American ambition. Now, after years of cajoling and arm-twisting, the $3bn Baku-Tbilisi-Ceyhan pipeline project is becoming a reality</em></p>

<p>The fate of the oil under the Caspian Sea illustrates how the worlds before and after the Russian revolution appear to join up, as if Soviet rule were a hiatus and history has taken up where it left off as the Bolsheviks triumphed in Moscow. At the beginning of the 20th century, the oilfields of Azerbaijan made Russia the world's biggest oil producer. The boom brought investors from Europe to  <a href="http://www.newstatesman.com/200309150019">[...]</a></p>
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   <title><![CDATA[The meaning of treason. "To the end of his life, this love of an obsolete England persisted in him, to be rebuffed by contemporary England." Maurice Walsh on the making of a fascist - Lord Haw-Haw]]></title>
   <link>http://www.newstatesman.com/200306020038</link>
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   <pubDate>Mon, 02 Jun 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>Lord Haw-Haw: the English voice of Nazi Germany<br />Peter Martland <em>The National Archives, 309pp, £19.99</em><br />ISBN 1903365171</em></p>

<p>The capture of William Joyce by the British army is one of the stranger and more absurd episodes of his life as the reviled Lord Haw-Haw, the upper-class English voice of Nazi Germany. As the Third Reich collapsed, Joyce tried to escape capture by the Allies by getting out of Germany to Sweden, a neutral country. Joyce and his wife were held up near the Danish border. One day in  <a href="http://www.newstatesman.com/200306020038">[...]</a></p>
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   <title><![CDATA[The terrible beauty of fighting. Once, a kind of manly jauntiness was the proper attitude for a witness of war; now, compassion is required. Maurice Walsh wonders if either strikes the right note]]></title>
   <link>http://www.newstatesman.com/200304280038</link>
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   <pubDate>Mon, 28 Apr 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>Depictions and Images of War in Edwardian Newspapers (1899-1914)<br />Glenn R Wilkinson <em>Palgrave, 185pp, £45</em><br />ISBN 0333717430<br /><br />Jarhead: a marine's chronicle of the Gulf war<br />Anthony Swofford <em>Scribner, 260pp, £14.99</em><br /><br />We Did Nothing: why the truth doesn't always come out when the UN goes in<br />Linda Polman <em>Viking Penguin, 234pp, £12.99</em></em></p>

<p>In October 1913, Hamilton Fyfe, a star foreign correspondent on the Daily Mail, dashed off a letter to his employer, Lord Northcliffe, from an assignment in Monterrey, northern Mexico. "Last week we had a two-day battle here. Bullets making funny little noise all about the streets, and shells knocking holes in house walls. I nipped about, enjoying it immensely. There were some horrible sights of course. Imagine a big square  <a href="http://www.newstatesman.com/200304280038">[...]</a></p>
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   <title><![CDATA[The game of war]]></title>
   <link>http://www.newstatesman.com/200303240040</link>
   <guid isPermaLink="true">http://www.newstatesman.com/200303240040</guid>
   <pubDate>Mon, 24 Mar 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>War Is A Force That Gives Us Meaning<br />Chris Hedges <em>Public Affairs, 212pp, £12.99</em><br />ISBN 1903985595</em></p>

<p>The wars of history always seem more momentous and calamitous than those about to come upon us. As the US and Britain prepared to invade Iraq we continued to go to the sales, pick the children up from school and watch the football. The poet Louis MacNeice remembered how he spent the day before war was declared, in 1939, drinking in a bar in Dublin with his literary friends: "They  <a href="http://www.newstatesman.com/200303240040">[...]</a></p>
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   <title><![CDATA[Portrait of an age]]></title>
   <link>http://www.newstatesman.com/200303100044</link>
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   <pubDate>Mon, 10 Mar 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>What I Saw: reports from Berlin 1920-33<br />Joseph Roth (translated by Michael Hofmann) <em>Granta, 227pp, £14.99</em><br />ISBN 1862075786</em></p>

<p>The Italian philosopher Benedetto Croce dismissed journalism as "writings without any originality or profundity [crafted by] men with few mental scruples and almost no aesthetic sensibility". It wouldn't be hard to think of examples to bear out his thesis, but the work of Joseph Roth would not be one of them. His writings about Berlin during the 1920s - collected here for the first time in English - establish a  <a href="http://www.newstatesman.com/200303100044">[...]</a></p>
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   <title><![CDATA[What if Ireland was still British? A bloody civil war was fought for the freedom of Ireland. But today the country is little more than an outpost of Britain and the US. So was the struggle worth it? By Maurice Walsh]]></title>
   <link>http://www.newstatesman.com/200301270038</link>
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   <pubDate>Mon, 27 Jan 2003 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>The Irish War of Independence<br />Michael Hopkinson <em>Gill & Macmillan, 274pp, £20</em><br />ISBN 071713010X<br /><br />Ireland Since 1939<br />Henry Patterson <em>Oxford University Press, 406pp, £9.99</em><br /><br />The Irish Revolution (1913-23)<br />Edited by Joost Augusteijn <em>Palgrave, 248pp, £15.99</em></em></p>

<p>Last May, the Irish Times published an article on its comment pages that began with the question: "What if Ireland was British?" It was the kind of heretical, counter-intuitive speculation that even the Times - the voice of Irish pluralist dissent - might once have expected its contributors to have left behind in university debating chambers. The writer contrasted the decorum of the Queen Mother's funeral with "an almost ritual  <a href="http://www.newstatesman.com/200301270038">[...]</a></p>
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   <title><![CDATA[The ghost in the machine]]></title>
   <link>http://www.newstatesman.com/200209160046</link>
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   <pubDate>Mon, 16 Sep 2002 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>Keane: the autobiography <br />Roy Keane (with Eamon Dunphy) <em>Michael Joseph, 294pp, £17.99</em><br />ISBN 0718145542</em></p>

<p>In Only a Game?, his classic book about life as a footballer at Millwall in the Second Division during the 1973-74 season, Eamon Dunphy wrote of how "football is about self-deception as much as anything else". His diary of a disillusioned season among journeymen professionals was a sustained attempt to break free of falsity, both his own and that of a game beginning more and more to resemble showbiz. Veering  <a href="http://www.newstatesman.com/200209160046">[...]</a></p>
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   <title><![CDATA[The grand illusion]]></title>
   <link>http://www.newstatesman.com/200206030048</link>
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   <pubDate>Mon, 03 Jun 2002 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>Pinochet in Piccadilly: Britain and Chile's hidden history<br />Andy Beckett <em>Faber and Faber, 280pp, £15.99</em><br />ISBN 0571202411</em></p>

<p>In the autumn of 1988, at the Sheraton Hotel in San Salvador, I found myself having a drink with garrulous men in polo shirts. They were from Arena, the party of the Salvadorean oligarchy: coffee-estate proprietors, landowners and former officers who looked to the army and the licensed death squads to protect them from revolution. About that time, Arena was trying to become slightly more respectable. But only a few  <a href="http://www.newstatesman.com/200206030048">[...]</a></p>
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   <title><![CDATA[Holocaust hoaxer]]></title>
   <link>http://www.newstatesman.com/200205200044</link>
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   <pubDate>Mon, 20 May 2002 12:00:00 GMT</pubDate>
   <dc:creator>Maurice Walsh</dc:creator>
  
  <description><![CDATA[<p><em>A Life in Pieces<br />Blake Eskin <em>Aurum Press, 245pp, £16.99</em><br />ISBN 1854107623</em></p>

<p>The story of the literary hoax perpetrated by Binjamin Wilkomirski has been widely rehearsed. In 1995, he published a memoir, Fragments, telling of the relentless cruelty he suffered as a child survivor of the Nazi concentration camps of Majdanek and Auschwitz. He described being smuggled into a Swiss orphanage and eventually adopted by a bourgeois Swiss family who conspired, in league with the rest of Swiss society, to erase his  <a href="http://www.newstatesman.com/200205200044">[...]</a></p>
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