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   <title>New Statesman - <![CDATA[Matthew Collings]]></title>
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   <title><![CDATA[Crass but clever]]></title>
   <link>http://www.newstatesman.com/200404050033</link>
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   <pubDate>Mon, 05 Apr 2004 12:00:00 GMT</pubDate>
   <dc:creator>Matthew Collings</dc:creator>
  
  <description><![CDATA[<p><em>Art - Matthew Collings asks: isn't it time we fought back against the Saatchi spin?</em></p>

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   <title><![CDATA[Unholy trinity]]></title>
   <link>http://www.newstatesman.com/200403150033</link>
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   <pubDate>Mon, 15 Mar 2004 12:00:00 GMT</pubDate>
   <dc:creator>Matthew Collings</dc:creator>
  
  <description><![CDATA[<p><em>Art - Matthew Collings on why the older yBas still appeal to the higher class of philistine</em></p>

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   <title><![CDATA[False identity]]></title>
   <link>http://www.newstatesman.com/200402160034</link>
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   <pubDate>Mon, 16 Feb 2004 12:00:00 GMT</pubDate>
   <dc:creator>Matthew Collings</dc:creator>
  
  <description><![CDATA[<p><em>Art 1 - Matthew Collings on why Gavin Turk's latest work is not as rubbish as it might seem</em></p>

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   <title><![CDATA[Painting by numbers]]></title>
   <link>http://www.newstatesman.com/200402020041</link>
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   <pubDate>Mon, 02 Feb 2004 12:00:00 GMT</pubDate>
   <dc:creator>Matthew Collings</dc:creator>
  
  <description><![CDATA[<p><em>Marks of Opulence: the why, when and where of western art 1000-1914

Colin Platt <em>HarperCollins, 329pp, £30</em>

ISBN 0002571005</em></p>

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   <title><![CDATA[The bottom line]]></title>
   <link>http://www.newstatesman.com/200311240031</link>
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   <pubDate>Mon, 24 Nov 2003 12:00:00 GMT</pubDate>
   <dc:creator>Matthew Collings</dc:creator>
  
  <description><![CDATA[<p><em>We are obsessed by contemporary art. But are we being sold something that isn't there? It is fast, amusing and full of ideas, but ultimately lacking in visual pleasure. For true depth we need to look again at the Old Masters</em></p>

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