These days, any film that concludes on a positive note is accused of being "Hollywood-ised", as if happiness were just not realistic. The preferred style of ending is non-committal, as exemplified by the cult hit Donnie Darko (2001). Given a chance to relive his past few months, the disaffected youth Donnie gives his life so that those he cares about can have happiness. He dies, but for positive reasons, which [...]