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   <title>New Statesman - <![CDATA[Gilbert Adair]]></title>
   <link>http://www.newstatesman.com/writers/gilbert_adair</link>
 
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   <title><![CDATA[Not so brillig at maths]]></title>
   <link>http://www.newstatesman.com/books/2008/07/carroll-wilson-alice-dodgson</link>
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   <pubDate>Thu, 10 Jul 2008 09:18:50 GMT</pubDate>
   <dc:creator>Gilbert Adair</dc:creator>
  
  <description><![CDATA[<p><em><strong>Lewis Carroll in Numberland</strong>

Robin Wilson

<em>Allen Lane, 256pp, £16.99</em></em></p>

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   <title><![CDATA[Praise be to Godard]]></title>
   <link>http://www.newstatesman.com/books/2008/07/godard-cinema-brody-jean-life</link>
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   <pubDate>Thu, 03 Jul 2008 09:29:43 GMT</pubDate>
   <dc:creator>Gilbert Adair</dc:creator>
  
  <description><![CDATA[<p><em><strong>Everything Is Cinema: the Working Life of Jean-Luc Godard</strong>

Richard Brody

<em>Faber & Faber, 720pp, £30</em></em></p>

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   <title><![CDATA[Comfortable in hell]]></title>
   <link>http://www.newstatesman.com/200402230032</link>
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   <pubDate>Mon, 23 Feb 2004 12:00:00 GMT</pubDate>
   <dc:creator>Gilbert Adair</dc:creator>
  
  <description><![CDATA[<p><em>Far from being the opium-smoking dilettante of legend, Jean Cocteau was one of the 20th century's most significant artists. Yet his unacknowledged homosexuality and Nazi leanings made him a profoundly tormented figure, writes Gilbert Adair</em></p>

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