<?xml version="1.0" encoding="iso-8859-1"?>
 <rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel>
   <title>New Statesman - <![CDATA[Charles Shaar Murray]]></title>
   <link>http://www.newstatesman.com/writers/charles_shaar_murray</link>
 
  <description><![CDATA[]]></description> 
   <language>en</language>



				
  <item>
   <title><![CDATA[Space oddities]]></title>
   <link>http://www.newstatesman.com/200604240026</link>
   <guid isPermaLink="true">http://www.newstatesman.com/200604240026</guid>
   <pubDate>Mon, 24 Apr 2006 12:00:00 GMT</pubDate>
   <dc:creator>Charles Shaar Murray</dc:creator>
  
  <description><![CDATA[<p><em>The advance of special effects has helped science fiction shed its alternative status and become part of the mainstream. Yet, as Charles Shaar Murray discovers, sci-fi is still a form that cherishes its margins</em></p>

]]></description>
 </item>
				
  <item>
   <title><![CDATA[Skin deep]]></title>
   <link>http://www.newstatesman.com/200601300039</link>
   <guid isPermaLink="true">http://www.newstatesman.com/200601300039</guid>
   <pubDate>Mon, 30 Jan 2006 12:00:00 GMT</pubDate>
   <dc:creator>Charles Shaar Murray</dc:creator>
  
  <description><![CDATA[<p><em>From soup cans to film stars, Andy Warhol found a new kind of beauty in the trashy and transient. Charles Shaar Murray on the inventor of our celebrity culture</em></p>

]]></description>
 </item>
    </channel>
</rss>
