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   <title>New Statesman - <![CDATA[Annette Morreau]]></title>
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   <title><![CDATA[The wandering minstrels]]></title>
   <link>http://www.newstatesman.com/200411220036</link>
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   <pubDate>Mon, 22 Nov 2004 12:00:00 GMT</pubDate>
   <dc:creator>Annette Morreau</dc:creator>
  
  <description><![CDATA[<p><em>Classical music - As the Royal Festival Hall prepares to close for a year and a half, Annette Morreau fears for the future of its resident orchestras</em></p>

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   <title><![CDATA[Instrumental change]]></title>
   <link>http://www.newstatesman.com/200410110035</link>
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   <pubDate>Mon, 11 Oct 2004 12:00:00 GMT</pubDate>
   <dc:creator>Annette Morreau</dc:creator>
  
  <description><![CDATA[<p><em>Classical music - Wigmore Hall in London has just reopened after a £3m facelift. But was it necessary, or even desirable? </em></p>

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   <title><![CDATA[Great mistresses]]></title>
   <link>http://www.newstatesman.com/200308250023</link>
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   <pubDate>Mon, 25 Aug 2003 12:00:00 GMT</pubDate>
   <dc:creator>Annette Morreau</dc:creator>
  
  <description><![CDATA[<p><em>Women II - Annette Morreau on three women taking up the baton in another male-dominated world</em></p>

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   <title><![CDATA[Licence to thrill]]></title>
   <link>http://www.newstatesman.com/200307210034</link>
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   <pubDate>Mon, 21 Jul 2003 12:00:00 GMT</pubDate>
   <dc:creator>Annette Morreau</dc:creator>
  
  <description><![CDATA[<p><em>With the current emphasis on "sexing up" classical music to seduce a new and youthful audience, the patronage of Classic FM is vital to institutions such as the Barbican</em></p>

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