A portrait of D H Lawrence by Edward Weston, 1924. Edward Weston/©1981 Centre for Creative Photography/Arizona Board of Regents/National Portrait Gallery
Show Hide image

D H Lawrence: A Letter from Germany

"We have brought it about ourselves—by a Ruhr occupation, by an English nullity, and by a German false will. We have done it ourselves. But apparently it was not to be helped."
This letter by D H Lawrence, written in 1928 and published in the NS of 13 October 1934, is one of the pieces in “The New Statesman Century”, our anthology of the best and boldest writing from the first 100 years of the NS, with contributions from Virginia Woolf, George Orwell, Christopher Hitchens and Bertrand Russell. This 250-page special issue is out now, available in selective WHSmiths and online at: newstatesman.com/century
 
We are going back to Paris to-morrow, so this is the last moment to write a letter from Germany. Only from the fringe of Germany, too.
 
It is a miserable journey from Paris to Nancy, through that Marne country, where the country still seems to have had the soul blasted out of it, though the dreary fields are ploughed and level, and the pale wire trees stand up. But it is all void and null. And in the villages, the smashed houses in the street rows, like rotten teeth between good teeth. You come to Strasbourg, and the people still talk Alsatian German, as ever, in spite of French shop-signs. The place feels dead. And full of cotton goods, white goods, from Mülhausen, from the factories that once were German. Such cheap white cotton goods, in a glut.
 
The cathedral front rearing up high and flat and fanciful, a sort of darkness in the dark, with round rose windows and long, long prisons of stone. Queer that men should have ever wanted to put stone upon faithful stone to such a height without having it fall down. The gothic! I was always glad when my cardcastle fell but these goths and alemans seemed to have a craze for peaky heights.
 
The Rhine is still the Rhine, the great divider. You feel it as you cross. The flat, frozen, watery places. Then the cold and curving river. Then the other side, seeming so forsaken. The train stands and steams fiercely. Then it draws through the flat Rhine plain, past frozen pools of flood-water, and frozen fields, in the emptiness of this bit of occupied territory.
 
Immediately you are over the Rhine, the spirit of place has changed. There is no more attempt at the bluff of geniality. The marshy places are frozen. The fields are vacant. There seems nobody in the world.
 
It is as if the life had retreated eastwards. As if the Germanic life were slowly ebbing away from contact with western Europe, ebbing to the deserts of the east. And there stand the heavy, ponderous round hills of the Black Forest, black with an inky blackness of Germanic trees, and patched with a whiteness of snow. They are like a series of huge, involved black mounds, obstructing the vision eastwards. You look at them from the Rhine plain, and you know that you stand on an actual border, up against something.
 
The moment you are in Germany, you know. It feels empty, and, somehow, menacing. So must the Roman soldiers have watched those black, massive round hills: with a certain fear, and with the knowledge that they were at their own limit. A fear of the invisible natives. A fear of the invisible life lurking among the woods. A fear of their own opposite.
 
So it is with the French: this almost mystic fear. But one should not insult even one’s fears. Germany, this bit of Germany, is very different from what it was two and a half years ago, when I was here. Then it was still open to Europe. Then it still looked to western Europe for a reunion, for a sort of reconciliation. Now that is over. The inevitable, mysterious barrier has fallen again, and the great leaning of the Germanic spirit is once more eastwards towards Russia, towards Tartary. The strange vortex of Tartary has become the positive centre again, the positivity of western Europe is broken. The positivity of our civilisation has broken. The influences that come, come invisibly out of Tartary. So that all Germany reads Men, Beasts and Gods with a kind of fascination. Returning again to the fascination of the destructive East, that produced Attila.
 
So it is at night. Baden-Baden is a quiet place. No more Turgenevs or Dostoevskys or Grand Dukes or King Edwards coming to drink the waters. All the outward effect of a world-famous watering-place. But empty now, a mere Black Forest village with the wagon-loads of timber going through, to the French.
 
The Rentenmark, the new gold Mark of Germany, is abominably dear. Prices are high in England, but English money buys less in Baden than it buys in London, by a long chalk. And there is no work—consequently no money. Nobody buys anything, except absolute necessities. The shopkeepers are in despair. And there is less and less work. Everybody gives up the telephone—can’t afford it. The tramcars don’t run, except about three times a day to the station. Up to the Annaberg, the suburb, the lines are rusty, no trams ever go. The people can’t afford the ten Pfennigs for the fare. Ten Pfennigs is an important sum now: one penny. It is really a hundred Milliards of Marks.
 
Money becomes insane, and people with it. At night the place is almost dark, economising light. Economy, economy, economy— that, too, becomes an insanity. Luckily the government keeps bread fairly cheap. 
 
But at night you feel strange things stirring in the darkness, strange feelings stirring out of this stillunconquered Black Forest. You stiffen your backbone and you listen to the night. There is a sense of danger. It is not the people. They don’t seem dangerous. Out of the very air comes a sense of danger, a queer, bristling feeling of uncanny danger.
 
Something has happened. Something has happened which has not yet eventuated. The old spell of the old world has broken, and the old, bristling, savage spirit has set in. The war did not break the old peace-and-production hope of the world, though it gave it a severe wrench. Yet the old peace-and-production hope still governs, at least the consciousness. Even in Germany it has not quite gone.
 
But it feels as if, virtually, it were gone. The last two years have done it. The hope in peace-and-production is broken. The old flow, the old adherence is ruptured. And a still older flow has set in. Back, back to the savage polarity of Tartary, and away from the polarity of civilised Christian Europe. This, it seems to me, has already happened. And it is a happening of far more profound import than any actual event. It is the father of the next phase of events.
 
And the feeling never relaxes. As you travel up the Rhine valley, still the same latent sense of danger, of silence, of suspension. Not that the people are actually planning or plotting or preparing. I don’t believe it for a minute. But something has happened to the human soul, beyond all help. The human soul recoiling now from unison, and making itself strong elsewhere. The ancient spirit of prehistoric Germany coming back, at the end of history.
 
The same in Heidelberg. Heidelberg full, full, full of people. Students the same, youths with rucksacks the same, boys and maidens in gangs come down from the hills. The same, and not the same. These queer gangs of Young Socialists, youths and girls, with their non-materialistic professions, their halfmystic assertions, they strike one as strange. Something primitive, like loose, roving gangs of broken, scattered tribes, so they affect one. And the swarms of people somehow produce an impression of silence, of secrecy, of stealth. It is as if everything and everybody recoiled away from the old unison, as barbarians lurking in a wood recoil out of sight. The old habits remain. But the bulk of the people have no money. And the whole stream of feeling is reversed.
 
So you stand in the woods about the town and see the Neckar flowing green and swift and slippery out of the gulf of Germany, to the Rhine. And the sun sets slow and scarlet into the haze of the Rhine valley. And the old, pinkish stone of the ruined castle across looks sultry, the marshalry is in shadow below, the peaked roofs of old, tight Heidelberg compressed in its river gateway glimmer and glimmer out. There is a blue haze.
 
And it all looks as if the years were wheeling swiftly backwards, no more onwards. Like a spring that is broken and whirls swiftly back, so time seems to be whirling with mysterious swiftness to a sort of death. Whirling to the ghost of the old Middle Ages of Germany, then to the Roman days, then to the days of the silent forest and the dangerous, lurking barbarians.
 
Something about the Germanic races is unalterable. White-skinned, elemental, and dangerous. Our civilisation has come from the fusion of the dark-eyed with the blue. The meeting and mixing and mingling of the two races has been the joy of our ages. And the Celt has been there, alien, but necessary as some chemical reagent to the fusion. So the civilisation of Europe rose up. So these cathedrals and these thoughts.
 
But now the Celt is the disintegrating agent. And the Latin and southern races are falling out of association with the northern races, the northern Germanic impulse is recoiling towards Tartary, the destructive vortex of Tartary.
 
It is a fate; nobody now can alter it. It is a fate. The very blood changes. Within the last three years, the very constituency of the blood has changed, in European veins. But particularly in Germanic veins.
 
At the same time, we have brought it about ourselves—by a Ruhr occupation, by an English nullity, and by a German false will. We have done it ourselves. But apparently it was not to be helped.
 
Quos vult perdere Deus, dementat prius.
 
Martin O’Neill for New Statesman
Show Hide image

1966 and all that

A year of World Cup glory, meeting Paul McCartney and eating placenta.

Fifty years ago this Saturday, on 30 July 1966, I was at Wembley. I have my ticket and my programme to prove it. I also have my 1966 ­diary, which I am looking at now. I was 30, weighed ten stone and eight pounds, and my waist was 32 inches – about as hard to believe now as England winning another World Cup final.

I am still in the same house, all these decades later, but my telephone number then was GUL 4685. GUL was short for Gulliver, I can’t remember why. In my list of contacts at the end of my diary is Melvyn Bragg, who was another recent arrival in London from Cumbria, like myself and my wife, on PRO 0790. PRO stood for Prospect, I think, which was the exchange name for somewhere over the river, possibly Kew.

My office number was TER 1234. I always thought that was a great and memorable number. It’s only now, thinking about it, that I realise that TER – meaning Terminus –
probably related to King’s Cross, which the Sunday Times was near in those days.

At the top of the charts in July 1966 were the Kinks with “Sunny Afternoon”, which I can well remember, as it was so ironically chirpy, and Georgie Fame with “Getaway”. I liked Georgie Fame – low-key, cool – but I can’t remember that tune. Both were replaced in August by the Beatles’ “Yellow Submarine”/“Eleanor Rigby”.

My day job in July 1966, on the Sunday Times staff, was writing the Atticus column. It still exists, but in a smaller, more skittery format. Previous incumbents included Ian Fleming, John Buchan and Sacheverell Sitwell, who was reputed to have got free Mateus rosé for life after giving the wine its first mention in an English newspaper.

I had been on the paper since 1960, after spending two years as a so-called graduate trainee journalist, mainly in Manchester, which was a laugh. There was no training and there were no lessons in law. You had a mentor for a few weeks and then you got on with it.

In my first few years as the boy on Atticus, I never had my name in the paper. I had to write dreary paragraphs about who might be our next man in Washington, or the bishop of London, or the master of Balliol, as if I cared. I wanted to write about footballers, gritty northern novelists, pop stars.

When I started at the Sunday Times, I felt for a while that people were prejudiced against me, because I was northern and working class and had gone to grammar school and a provincial university (Durham). Everyone else seemed to have been at Oxbridge and gone to public school.

But this prejudice was all in my head, imagined, just as it had been when I used to go from Durham to visit my girlfriend, Margaret – whom I married in 1960 – at Oxford. I was convinced that some of her posh friends were being condescending ­towards me. Total nonsense, but I had a chip on my shoulder for some years. Gone, all gone, just like my 32-inch waist. (I am now 12 stone and the new shorts I bought last week have a 38-inch waist. Oh, the horror.) If anything, these past 50 years, any prejudice has been in my favour.

Harold Wilson was the prime minister in 1966. His northern accent was even stronger than mine. I still have a letter from him, dated 21 March 1963, after I interviewed him for Atticus. In the letter, he ­describes the 1938 FA Cup final in which Preston beat Huddersfield Town 1-0, scoring in the last minute of extra time. At the bottom of the page, in handwriting, he’d added: “after hitting the crossbar”.

What I remember most about the interview was George Brown, who was deputy to
Wilson as Labour leader at the time, hanging around outside his office, drunk. Marcia Williams, Wilson’s secretary, was going around tut-tutting, making faces, complaining about George. I thought she shouldn’t have done, not in front of me, as I was a total stranger and a hack. (I don’t think we called ourselves hacks in those days, which is the normal, half-ironic self-description today.)

Harold was a football man and also a real know-all, forever boasting about his memory for facts and figures. The contents of this letter illustrate both aspects of his character. It led me later to collect a letter or autograph from every prime minister, going back to Robert Walpole. Only took me ten years.

There is a myth that England’s 1966 win helped Labour stay in power – which does not quite stand up. The general election was in March – four months before the final. But Wilson did milk England’s victory, identifying himself and the nation with our English champions.

It is possible that the reverse effect happened in 1970, when Wilson was chucked out and Edward Heath came in. England’s defeat at the 1970 World Cup by West Germany was just four days before the June general election.

***

I got my ticket for the 1966 World Cup final – for one of the best seats, priced at £5 – from my friend James Bredin, now dead, who was the boss of Border Television. Based in Carlisle, Border covered the Scottish Borders and the Isle of Man. It was a thriving, thrusting regional ITV station, now also deceased.

James’s chauffeur came to pick me up and waited for us after the match, a sign of the importance and affluence of even minor ITV stations. Border contributed quite a bit to the network, such as Mr and Mrs, starring Derek Batey, who presented 450 editions of this very popular national show. Batey was a local lad who started his show business life as an amateur ventriloquist in the little market town of Brampton, Cumbria, before becoming Carlisle’s Mr Show Business. He was so polished – lush hair, shiny suits, so starry, so glittery – that I always wondered why he was not in London, in the West End.

Border TV also produced some excellent documentaries that were networked across the ITV region, two of which I presented. One was about walking along Hadrian’s Wall and the other was about George Stephenson. For a while in the 1970s, I began to think I was going to become a TV presenter, despite being not much good. I was lousy at acting, which you need for television, and disliked asking questions to which I already knew the answers. And it took so much time. For each programme, we spent eight weeks on location with a crew of eight, just to make a one-hour documentary. Now they
do docs in a week with just two people.

For half an hour, I also imagined that I was going to become a playwright. In 1967, I had a play in the BBC’s Wednesday Play slot, awfully prestigious at the time, called The Playground. It was one of those shows that were filmed live and then wiped, so I have never seen it since, nor has anybody else. I blamed that for blighting my playwriting career, though till I was looking in my 1966 diary and saw that I was working on that play, I’d forgotten about its existence. As we go through life, we forget all the paths not trodden.

I’ve boasted endlessly about being at the 1966 Wembley final, and it was so exciting, but I can’t remember many of the details. I must have been aware of Geoff Hurst’s second goal being a bit dodgy, as there were loud complaints from the German fans, but as Sir Geoff, as he then wasn’t, went on to score a third goal, it didn’t really matter. At the time, I considered that the England-Portugal semi-final had been a better game, with our Bobby Charlton scoring two goals against one from Eusebio, but of course winning a final is winning a final and the excitement and the patriotic pride continued for weeks and months. We felt as if it had been our right to win – after all, did we not give the game to the world, lay down the first rules, show all those foreigners how to play our game?

The result was that we usually ignored all the new ideas and developments that were emerging from Europe and South America, carrying on with our old ways, stuffing our faces with steak before a game and knocking back six pints afterwards, a bit like Alf Tupper in the Rover comic. He lived on fish and chips, but on the race track he could beat anyone.

Those funny Continental players started playing in funny lightweight boots, more like slippers or ballet shoes, which seemed barmy to us. How we scoffed. How can you play properly, far less kick someone properly, unless your ankles are encased in hard leather as tough as steel? Who cared if they weighed a ton, especially in wet weather? We Brits were tough.

The top First Division stars of 1966 earned about £200 a week, including bonuses, and lived in £20,000 houses, semi-detached, on new estates with Tudor overtones. The top players drove Jaguars. But most were lucky to afford a Ford Cortina. I had one myself for a while. Awfully smart, or so I thought at the time.

Their basic wages were little more than double that of the best-paid working men, such as a foreman bricklayer or a successful plumber. Their neighbours on their estates were bank mangers or salesmen, a higher scale socially than their own background, but still fairly modest. Not like today. Footballers don’t even have neighbours any more. They are cocooned in their own gated mansions, with personal staff, gardeners, nannies, accountants, lawyers, agents.

Yet despite their modest lifestyles in those days, there were celebrity players, such as Bobby Moore, Bobby Charlton and, before them, Billy Wright, all household names, loved and admired, recognised everywhere.

None of them had an agent in 1966. The nearest thing to it was the system that operated if a team got to the FA Cup final. They would then agree to divvy up the peripheral proceeds, such as money from giving newspaper interviews, posing for staged corny photographs, opening shops, or selling their spare tickets to touts (which they were not supposed to do). They’d appoint some dodgy friend of one of the senior players to arrange the deals and collect the monies for them. Times, they always change. Otherwise, what’s the point, eh?

***

In 1966, two big events occurred in my personal life. In May that year, my son, Jake, was born – at home, in what is now our kitchen. He arrived so quickly that the midwife hadn’t turned up yet and he emerged with the cord twisted around his neck. I managed to untie it, which I have maintained since kept him alive (a trick I had learned at fathers’ classes).

Fathers’ classes – wow, what a novelty that was in the 1960s. Who says we were all chauvinist pigs back then? (Today’s young, female star writers at the New Statesman, probably.) I attended my first ones, at the Royal Free Hospital in 1964, when our firstborn, Caitlin, was about to arrive. I remember immediately thinking when the invite came that I would get 1,000 words out of this – which I did, for the Sunday Times women’s pages.

Also at those first-ever fathers’ classes at the Royal Free was a young BBC producer whose wife was also about to give birth: Wilfred De’Ath. He, too, was desperate to get a piece out of it. (He now writes occasionally for the Oldie, and he appears to be down and out and living in France.)

After Jake’s birth, I got the midwife to give me the placenta and I ate it, fried with onions. Tasted like liver. Another 1,000 words.

The other event of note in my ever-so-exciting life in 1966 was meeting Paul McCartney. When “Eleanor Rigby” came out, I thought the words – not just the tune – were so wonderful. Possibly the best poetry of the year, I said, as if I knew anything about poetry. I went to see him for Atticus in his new house in St John’s Wood, which he still has, being a very conservative feller. I talked to him about the background to the lyrics, as opposed to his hair, which interviewers were still asking him about.

A few months later, at the end of 1966, I went to see him again, wearing a different cap, as a screenwriter. I’d had a novel published the previous year, Here We Go Round the Mulberry Bush, which was being made into a film, with Clive Donner directing. We went to see Paul at his house and discussed with him if he would do the theme tune. He turned us down in the end but it was while I was with him that I suggested that there should be a proper biography of the Beatles. He said Brian (Epstein, the band’s manager) would have to agree – and there and then sat me down and helped me write a suitable arse-licking letter to him.

I eventually saw Brian, after several cancellations, at his home in Belgravia and he played me the acetate of “Strawberry Fields Forever”. I was astounded. It seemed to break every rule of what was then considered pop music. I wondered if all Beatles fans
would take to it. But I could see that it was amazing and perhaps the Beatles weren’t finished, which was what some people were saying in 1966. At my publisher, Heinemann, which paid me £3,000 for the book, there was one director who maintained the Beatles bubble was about to burst.

Brian agreed to my project and offered a clause in the contract that we had not requested or even thought of. He said he would not give any other writer access to the Beatles for two years after my book came out. This was 1966. The book came out in 1968. Two years later, in 1970, the Beatles were no more. Without realising it at the time, I became the only authorised ­biographer of the Beatles.

***

So, 1966, a big year for me, so glad I kept that diary, and also a big year for the nation. I thought at the time that the Beatles were bound to fade, eventually, while England surely would dominate world football from now on. After their humbling by Iceland at this year’s World Cup, I now realise that England will never win the World Cup again in my life, what’s left of it. And probably not even another game.

The only way to rationalise it is to tell ourselves that we are ahead of the game. We are rubbish, but in turn it will happen to all the other so-called advanced nations.

You could say Brexit is a bit like that. We are ahead of the other leading European nations in going it alone, even though it is depressing and awful and shameful. We are advanced in wilfully turning ourselves into a rubbish nation. We are leading the way, as ever. Inger-land, Inger-land.

Hunter Davies’s memoir of the postwar years, “The Co-op’s Got Bananas!” (Simon & Schuster), was published in April, followed by “Lakeland: a Personal Journal” (Head of Zeus). His final book on the Fab Four, “The Beatles Book” (Ebury), will be published on 1 September

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue