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When it comes to arts spending, it’s London vs the rest of the UK

In the latest arts budget, 47 per cent of spending will go to London-based organisations – why does the capital’s cultural excellence have to come at the expense of projects everywhere else?

There is a parochial myth that outside London’s metropolitan centre exists a breed of Neanderthal Northerners who, clutching a Greggs pasty and standing in a bleak milieu worthy of a Shane Meadows film, have no desire to access the arts. This image, combined with the startling figure from last year that cultural spending amounted to £69 per head in London and just £4.50 per head elsewhere, illustrates the London-centric nature of UK arts funding. For this reason, there was a collective intake of breath this week as Arts Council England (ACE) announced the funding for 2015-2018. Surely, arts programmes across the regions cried, the budget discrepancies couldn’t get any worse? Surely the rest of the UK would get their fair share, rather than being lumped together as simply “Not-London”? Alas, it was not to be. The ACE reiterated once again that when it comes to culture, it is London vs The Rest of the UK, with the capital snatching 47 per cent of the total budget.

Elitism is an accusation bandied about the art world, from Saatchi to opera, but the label of exclusivity transcends galleries and genres with simple geography. The ACE have the arrogance to declare that London vs the rest of the UK is an equal match worth fighting, and one in which funds can be distributed equally between the two. The extensive nature of their report proves that despite their attempts to disguise the vicious nature of the cuts with a garish pink font, the ACE cannot claim ignorance about the existence of a 14:1 imbalance of London’s arts budget compared to the rest of England. The existence of both an “ACE National” Twitter account and an “ACE London” Twitter account is telling and leads to the question of why two accounts are even needed when “Arts Council England” is now synonymous with just London.

As councils across the UK ruthlessly scrap their arts budgets – such as Newcastle City Council halving their already pitiful culture grants –  it’s the job of the ACE to represent not just London but all of England (as – spoiler alert! – their title would suggest). Far from meeting the challenge of helping failing regional arts companies, predictably and depressingly, they have continued to adopt their policy of cutting London budgets by a snail pace of 2 per cent and in doing so they maintain the London-centric status quo. The ACE’s budget accounts for just 0.5 per cent of government spending and while this should be higher, crucially, it should be distributed fairly. The current idea that art can be justified only if it provides revenue is toxic, but even more so if it that cannot be accessed by 86 per cent of the population who do not live within reach of an Oyster card. The bold scope of London’s cultural projects cannot be denied, yet their work does not have to come at the expense of projects outside the capital.

On the surface, the council’s decision to decrease London-based funding by £6.6m while increasing that to the rest of the UK by £9.5m surface appears to be a heroic,  Robin Hood-esque action of taking from the rich to give to the poor. Unfortunately, while cuts have been made from cultural fat cats like the English National Opera, the Southbank Centre, and the Royal Shakespeare Company, increases in funding to the Manchester International Festival, the Northern Ballet, and Mima (Middlesbrough’s Modern Art Gallery) are still anomalies. It goes without saying that Whitehall is biased towards London, but coupled with the similar inclinations of the National Lottery and individual philanthropists – 90 per cent of their donations go straight into London-based projects – the picture gets even bleaker. The ACE drastically needs to reform their funding so that they can help struggling companies instead of the already successful.

Despite the headlines about their supposed “shake up” of arts funding, little change has been made. At a time when local authorities and the central government are both reluctant to provide grants for the sake of cultural prosperity, the ACE should be distributing their portfolio as evenly and fairly as possible. As it stands, it feels like we’re being presented with an ultimatum: move to London or you’re on your own.

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Labour to strip "abusive" registered supporters of their vote in the leadership contest

The party is asking members to report intimidating behaviour - but is vague about what this entails. 

Labour already considered blocking social media users who describe others as "scab" and "scum" from applying to vote. Now it is asking members to report abuse directly - and the punishment is equally harsh. 

Registered and affiliated supporters will lose their vote if found to be engaging in abusive behaviour, while full members could be suspended. 

Labour general secretary Iain McNicol said: “The Labour Party should be the home of lively debate, of new ideas and of campaigns to change society.

“However, for a fair debate to take place, people must be able to air their views in an atmosphere of respect. They shouldn’t be shouted down, they shouldn’t be intimidated and they shouldn’t be abused, either in meetings or online.

“Put plainly, there is simply too much of it taking place and it needs to stop."

Anyone who comes across abusive behaviour is being encouraged to email validation@labour.org.uk.

Since the bulk of Labour MPs decided to oppose Labour leader Jeremy Corbyn, supporters of both camps have traded insults on social media and at constituency Labour party gatherings, leading the party to suspend most meetings until after the election. 

In a more ominous sign of intimidation, a brick was thrown through the window of Corbyn challenger Angela Eagle's constituency office. 

McNicol said condemning such "appalling" behaviour was meaningless unless backed up by action: “I want to be clear, if you are a member and you engage in abusive behaviour towards other members it will be investigated and you could be suspended while that investigation is carried out. 

“If you are a registered supporter or affiliated supporter and you engage in abusive behaviour you will not get a vote in this leadership election."

What does abusive behaviour actually mean?

The question many irate social media users will be asking is, what do you mean by abusive? 

A leaked report from Labour's National Executive Committee condemned the word "traitor" as well as "scum" and "scab". A Labour spokeswoman directed The Staggers to the Labour website's leadership election page, but this merely stated that "any racist, abusive or foul language or behaviour at meetings, on social media or in any other context" will be dealt with. 

But with emotions running high, and trust already so low between rival supporters, such vague language is going to provide little confidence in the election process.