Is the double-dip no more? Does it matter?

Maybe, and no. No it does not.

Last Friday, the ONS revised its estimates of the size of British construction output over 2012. It now thinks that the construction sector shrank by 5 per cent in the first quarter of that year, compared to the 5.4 per cent contraction it had previously estimated. (Although that's good news, the picture is less rosy for the other three quarters of the year, which were all revised downwards.)

That upward revision would be enough to bring the overall growth figure for Q1 2012 to exactly zero; hence the Saturday Mail story dubbing it "The double-dip that never was! Osborne gets a surprise boost as 'growth' was 0.0% rather than -0.1%".

There are two things to say at this point. Firstly, the nitpicking: the ONS is also due to announce the latest revisions to the service sector on the 23rd of this month (estimates for production, the third main component, were published on the 9th). Those revisions could be in either direction, and, given the size of services in the overall economy, it would not take a large downward swing to wipe out the "gains" from production. So it's too early to say for certain that the double-dip has been erased.

But the broader point is that it does not matter, and has never mattered, whether the economy grew by 0.1 per cent, didn't grow, or shrank by 0.1 per cent. What is important is that Britain has stagnated for the better part of two years running now. Anaemic growth is just as bad as a mild recession – and in some ways worse, because while a recession may be expected to spring back into recovery at some point, stagnation can last for decades. Just ask Japan.

That's the reason I've focused on the description of our economy as "corrugated". We focus so much on the ups and downs, with cheers alternating on either side of the aisle, that we neglect to take a step back and look at what the overall trend is. The fact that the economy was precisely stagnant in the first quarter of 2012 doesn't change that trend for the better; it makes it overwhelmingly clear that stagnation remains the reality we live in.

Of course, some will claim that this revision matters anyway, because it means that we never had the technical recession which garnered so much bad press last year. But – you can guess where this is going – technical recessions are an alarmingly misleading thing to focus on in an economic environment like ours. Because, again, in a corrugated economy, whether a particular consecutive pair of quarters displays slightly negative growth is basically down to chance. What is not down to chance is the overall pattern.

This is what our economy looks like, right now:

Until and unless that flat black line stops being quite so astonishingly flat, there is little to celebrate. Arguing about the size of the kinks within it is little more than trivia.

A construction site. The sector's performance in 2012 was revised up, causing some to dismiss the double dip recession. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.