Being unable to buy elections isn't a bug, it's a feature

"Markets in everything" can be taken too far.

Freakonomics co-author Steven Levitt blogs an idea which, frankly, demonstrates why we're pretty justified in keeping a sharp divide between economists and politicians:

In Glen’s voting mechanism, every voter can vote as many times as he or she likes. The catch, however, is that you have to pay each time you vote, and the amount you have to pay is a function of the square of the number of votes you cast. As a consequence, each extra vote you cast costs more than the previous vote. Just for the sake of argument, let’s say the first vote costs you $1. Then to vote a second time would cost $4. The third vote would be $9, the fourth $16, and so on. A person who cast four votes would have to pay a total of $30 (1+4+9+16=30). Twenty votes would cost $2,870. One hundred votes would cost you more than $300,000. Five hundred votes would cost more than $40 million. So eventually, no matter how much you like a candidate, you choose to vote a finite number of times.

What is so special about this voting scheme? People end up voting in proportion to how much they care about the election outcome. The system captures not just which candidate you prefer, but how strong your preferences are. Given Glen’s assumptions, this turns out to be Pareto efficient — i.e., no person in society can be made better off without making someone else worse off.

Levitt deals with some potential criticisms on his blog, but only in passing; and while he argues that there is support for the idea in a laboratory, the laboratory experiments didn't deal with the major problem with the idea in the real world, which is that when the difference in wealth spreads several orders of magnitude, it couldn't fail to give more voice to those with more wealth, especially when it comes to issues where the rich speak as one (like, perhaps, taxation of the wealthy).

In addition, the proposal is only examined from an economists point of view, when it is an area also well studied by political scientists. An important aspect of voting, for instance, is that while we may talk of "wasted" votes in majoritarian systems, very little has been actually wasted. If you have to buy votes, then "safe" constituencies would basically never change hands, as the minority party's turnout would collapse. That, in turn, would likely see the majority party's turnout also collapse, which could set up frankly strange chaotic cycles, especially in a three+ party system.

Levitt also mentions the prospect of fraud, but focuses on a strange aspect; the problem seems less to be that people would sell their votes, and more that a system set up to take multiple votes per person removes one hurdle to voter fraud that we have now.

Add to those problems the fact that the system as designed locks anyone out of the electoral process who doesn't have enough money to spare on it; that one-person-one-vote was always defended for philosophical, rather than practical, reasons; and that a far more serious problem with elections from the point of view of an economist is that being forced to communicate acceptance of a broad set of policies with only a yes or no answer to a question every five years is a stupidly inefficient way to gauge public preferences.

So: be glad economists don't run countries, only their money.

A woman votes in Florida. Hopefully, she didn't have to pay. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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An alternative Trainspotting script for John Humphrys’ Radio 4 “Choose Life” tribute

Born chippy.

Your mole often has Radio 4’s Today programme babbling away comfortingly in the background while emerging blinking from the burrow. So imagine its horror this morning, when the BBC decided to sully this listening experience with John Humphrys doing the “Choose Life” monologue from Trainspotting.

“I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you’ve got Radio 4?” he concluded, as a nation cringed.

Introduced as someone who has “taken issue with modernity”, Humphrys launched into the film character Renton’s iconic rant against the banality of modern life.

But Humphrys’ role as in-studio curmudgeon is neither endearing nor amusing to this mole. Often tasked with stories about modern technology and digital culture by supposedly mischievous editors, Humphrys sounds increasingly cranky and ill-informed. It doesn’t exactly make for enlightening interviews. So your mole has tampered with the script. Here’s what he should have said:

“Choose life. Choose a job and then never retire, ever. Choose a career defined by growling and scoffing. Choose crashing the pips three mornings out of five. Choose a fucking long contract. Choose interrupting your co-hosts, politicians, religious leaders and children. Choose sitting across the desk from Justin Webb at 7.20 wondering what you’re doing with your life. Choose confusion about why Thought for the Day is still a thing. Choose hogging political interviews. Choose anxiety about whether Jim Naughtie’s departure means there’s dwindling demand for grouchy old men on flagship political radio shows. Choose a staunch commitment to misunderstanding stories about video games and emoji. Choose doing those stories anyway. Choose turning on the radio and wondering why the fuck you aren’t on on a Sunday morning as well. Choose sitting on that black leather chair hosting mind-numbing spirit-crushing game shows (Mastermind). Choose going over time at the end of it all, pishing your last few seconds on needlessly combative questions, nothing more than an obstacle to that day’s editors being credited. Choose your future. Choose life . . .”

I'm a mole, innit.