“Do you know how hard we work? How little we earn? This city never gives you any chances.”
However it ends, the climax of Mad Men will be perhaps television's most influential ending.
It started inauspiciously with the never remotely amusing Big Bird as the subject of Tweet of the Day.
From The Killing, The Bridge and CSI to True Detective - why do so many TV series open with the mutilated corpse of a woman? Sarah Marshall looks back to the trope's dark origins.
The hypothetical direct channel to the writers and actors in our favourite TV shows fosters a false sense of intimacy. But it's all an illusion – television isn't a democracy.
New Worlds, like The Devil’s Whore before it, fancies itself as a political drama. Why must it be silted up with all this Jean Plaidy-ish stuff?
E4's popular "scripted reality" show offers up a very specific kind of escapism.
Are you tired of waiting for the rest of George R R Martin's A Song of Ice and Fire?
In week of short monologues about being up close with well-known artists, Martin Gayford recalls a stressful ecounter with Henri Cartier-Bresson.
It’s one of the broadcaster’s flagship religious programmes, yet it makes religious people look unfairly crazy.
After nine seasons and years of anticipation, the story of Ted Mosby comes to an end.
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