Moby, the vegan king of chill-out pop, talks wealth, David Bowie’s hat and the average intelligence of his fellow Americans.
Performances by James Ehnes and the BBC National Orchestra of Wales had the Royal Albert Hall audience listening intently.
For the past three years, an international Beckett festival in Enniskillen has attempted to establish a more positive Google footprint alongside the one established by the IRA bombing at the town’s cenotaph in 1987.
From Brahms’s chamber music to Mozart opera, the little Swiss ski-village provides a musical feast.
Clare Teal brought an imagined “jazz off” between the Duke Ellington and Count Basie bands to the Royal Albert Hall.
In Shakespeare in Love, he is more Bart than Bard: a feckless, penniless hack dramatist with writer’s block who has terrible ideas for plays – “Romeo and Ethel, the Pirate’s Daughter”.
A concept album of sorts, this claims to chart the emotional experiences of an imaginary woman – from romantic activities to pain, deception and more.
100 years after British foreign secretary Edward Grey said that “the lamps are going out all over Europe; we shall not see them lit again in our lifetime”, a programme of John Tavener’s music provided the perfect soundtrack for quiet remembrance.
A triumphant return to the Proms for the John Wilson Orchestra with the original 1948 version of Cole Porter's great musical.
A small Austrian town tucked almost against the Swiss and German borders on the magnificent Lake Constance, Bregenz has claimed a place on the cultural map.
Introducing her new column on fan culture for the NS, Elizabeth Minkel explains why 2014 feels like a turning point in the appreciation of how people who love something interact.
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