Howard Barker’s play In the Depths of Dead Love was picketed on press night. But is it racist, or simply lacking in imagination?
McGowan's performance demonstrates the combination of eccentricity and intimidation that allowed Savile first to lure his victims and then to disguise his abuse of them.
Accounts of The Jam, the Grateful Dead, Alice Cooper and Belle and Sebastian come from the back.
In his memoir Instrumental, it feels at times as though Rhodes is daring you to dismiss him, to find his story trivial or inferior.
Die Entführung aus dem Serail, or The Abduction from the Seraglio, hits the spot when staged at Glyndebourne.
It sounds spoilt to complain about room service, or fret about your dressing-room rider. But still, I can see why it happens.
Bob Stanley unpicks the recording industry’s tangled history of takeovers, piracy and changing technology.
As the perception of a tacit complicity by the Muslim community in terrorist activity has gained traction, art has become a major outlet for protest and dissent.
Nile Rodgers is responsible for $2bn worth of hits – with Chic, Madonna, David Bowie – but he can’t switch off the noise in his head.
How symbolism and happiness are captured in joint American-Cuban cultural endeavours.
The Talking Heads member on curating the Southbank Centre's Meltdown festival, the unfairness of book awards, and why the best line-ups surprise.
From Trump to Brexit, the world is changing fast - and we need intelligent, incisive journalism more than ever.
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