Incidents like this are often used to characterise all young female fans, but this isn’t about fandom. It’s harassment.
A new production of this little-heard Romanian piece shows that neglected doesn’t necessarily mean second-rate when it comes to opera.
“As a band, Five have no political allegiances.”
Frontman Matt Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).
Sounds and Sweet Airs: the Forgotten Women of Classical Music by Anna Beer reviewed.
Of course, an exhibition of peripheral paraphernalia inevitably shifts the focus away from the artists themselves and onto the fans.
Analysing the key, pitch, tempo and lyrics of past Eurovision winners and losers shows us that we’ve got it all wrong.
How do we respond to celebrities talking openly about fame and mental health?
Why are the only albums blessed with the grandiose description of “conceptual” the ones made by white men?
The War of the Roses plays are great crowd-pleasing popular hits. So why are adaptations so hard to get right?