Nicholas Lezard's Down and Out.
Analysing the key, pitch, tempo and lyrics of past Eurovision winners and losers shows us that we’ve got it all wrong.
How do we respond to celebrities talking openly about fame and mental health?
Why are the only albums blessed with the grandiose description of “conceptual” the ones made by white men?
The War of the Roses plays are great crowd-pleasing popular hits. So why are adaptations so hard to get right?
It's hard to tell – but the iTunes Terms and Conditions seem to cover the company even if it does.
From a Dutch mash-up at the Barbican to a promenade theatre piece at the V&A – with a thousand miles in between.
Between the delights of reconstructed sonatas and Thomas Gould's "violin hair", the paradoxically intricate simplicity of Bach shone in Baroque Encounters.
The band has performed an online Houdini in advance of its ninth album – but it’s harder than it looks.
On the pop culture podcast this week: Drake’s new album Views, BBC Three comedy-drama Witless and the first ever episode of The West Wing.
The Met Ball is, to paraphrase Mean Girls, the one night a year when celebs can dress like total freaks and no one can say anything about it.
No country has ever left the EU before, so there's no map for where we're going.
Subscribe to the New Statesman to shine a light in the dark.