At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.
The film, made by Winding Refn’s wife Liv Corfixen, is an intriguing contribution to the film-behind-the-films genre and a revealing study of ambition and vulnerability.
The civil rights drama and political farce could not seem more different. But David Oyelowo and James Franco share a dynamism sadly overlooked in awards season.
Their triumph came through recognising that although their own oppression was important, it didn’t mean they couldn’t recognise others’ struggles as well.
Oh, and moaning women. These are the films of the year, the ones that we think best capture the tenor of the times. Yet they are only interested in one half of the human tableau.
Thomas Pynchon's novel makes for a wistfully funny film adaptation.
After Parks and Rec, 30 Rock and Bridesmaids, why do some in the industry still doubt women are funny?
Our desire for historical accuracy in films, TV programmes and books often tells us more about ourselves than it does about art.
Half-love letter, half-biopsy, Charlie Lyne's documentary analysis of teen movies is full of flashes of madness.
Oscar Isaac exploits his unique charisma and mutable appearance in two of the biggest films released this awards season.
The Zombie PM
The doomed premiership of Theresa May