As a child in the late Nineties, I lived for Aladdin. Yet no actual Arabs or even Indians were involved in the cartoon.
We’ve seen too many Friday the thirteenth films to buy the sight of teenagers venturing into the deep, dark forest, but the deep, dark internet is another matter.
“Are you bent? Are you queer?”
If the Marvel fan base, like an elephant, is large but easily startled, Roy Andersson's minimalist vignettes in A Pigeon Sat on a Branch Reflecting on Existence ask the viewer to endure discomfort.
Today, Hitchcock is revered for his contribution to cinema. But his reputation as a "serious" director came late, as new biographies from Michael Wood and Peter Ackroyd reveal.
On paper Tony Stark, aka Iron Man, should be a super villain. But somehow, he’s a hero, and what’s more, he’s the only American superhero you want to have a beer with.
Beyond propaganda, trying to get under the skin of despots and dictators is a near-impossible task.
Ryan Gilbey examines Mamet’s plays for clues to his changing politics.
Do "whatever it takes" to get your film made.
The more outlandish the film becomes, the looser its grip.
This film isn’t bad. Worse: it’s mediocre.