In Sonita, the girls chat about the opposite sex just like any other group of teenagers, except that here they are comparing the ages of their husbands-to-be. Plus: Queen of Katwe.
As the illegitimate mixed-race daughter of an admiral in 18th-century England, Dido Elizabeth Bell’s status is too high to allow her to eat with the servants, yet too low to permit her to join guests for dinner.
Tennis has not become ugly. It has got more beautiful. Professionalisation did not ruin its balletic strand; it deepened it. The ultimate athletes turned out to be lighter, leaner and more mobile.
Sport’s love affair with the myth of thwarted victory.
Fruitvale Station imagines the last day of Oscar Grant's life - a young black American shot dead by a police officer in 2009. The film may be rooted in truth, but it's a long way from documentary.
The esteemed director joins Kevin Smith and William Nicholson among the ranks of writers and directors who blame critics, and their lack of experience, for disliking their films.
Kirby Dick’s Oscar-nominated documentary reveals the extent to which rape in the military is ignored and covered up.
Jimmy’s Hall returns Loach to early-20th-century Ireland, the site of a previous success. The new film could be called The Wind That Shakes the Barley II: This Time It’s Heart-Warming.
And celebrating the unlikely kinship of Alan Bennett and Philip Roth.
John Turturro's fifth film as director is remarkable for getting so much wrong. The characters are vacuous, it misfires comically, but worst of all is his choice of leading man.
A new documentary about the American Samoa football team (who hold the world record for the biggest international defeat – 31-0 to Australia in 2001) gives hope that professional sport won’t always be prejudiced against those who are different.
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