Mark Lawson talks to the director about hope, despair and why he wants to make a sequel to Deadpool.
Schwarzenegger's mere presence causes the plausibility of a scene to drop by 75 per cent - so it's a mystery why a capable director like David Ayer would cast him in his latest pulpy thriller.
Two reissues show the actor in contrasting roles, one in Stanley Kubrick’s moral drama set during the First World War, another as a hungry reporter bored witless at a small-town American paper.
The love story between a slave and a noblewoman is clearly influenced by Titanic, but better described as Gladiator with a topping of molten lava.
The British actor died yesterday of pneumonia following several years with Parkinson’s. We look back at some of his most memorable film roles over five decades.
The French film director Alain Resnais was largely neglected by English-speaking critics in his later years. But, as Oliver Farry argues, Resnais’ later work, is, in its own homely way, as formally and technically innovative, and as concerned with mortality as the earlier films.
There is a fascinating backstory to France's first animated feature, but it doesn't need one - all the genius and magic lies in the film itself.
Lukas Moodysson, director of Lilya 4-Eva and Container talks about his new (and most accomplished) film We Are the Best! in which three Stockholm teenagers form a punk bank.
A life mesmerisingly truncated, James Dean left behind only three films, and the gaping absence of the career that might have been.
My friend Emma worships Wes Anderson; I can’t stand him – so we were looking forward to a good row after The Grand Budapest Hotel.
The veteran actress best known for Murder, She Wrote had an emotional return to her East End roots this month with a series of screenings and a personal appearance.
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