A critique with hindsight.
There was far more to the festival than Fifty Shades.
Terrence Malick’s Knight of Cups is insipid – but Andrew Heigh's 45 Years proves it's not all bad.
All good relationships are built on respect, trust and consent - and the one at the centre of this film contains none of that.
We can’t disparage these actors any more than we can blame a man in a hammerless world for failing to bang a nail into the wall.
The film, made by Winding Refn’s wife Liv Corfixen, is an intriguing contribution to the film-behind-the-films genre and a revealing study of ambition and vulnerability.
The civil rights drama and political farce could not seem more different. But David Oyelowo and James Franco share a dynamism sadly overlooked in awards season.
Their triumph came through recognising that although their own oppression was important, it didn’t mean they couldn’t recognise others’ struggles as well.
Oh, and moaning women. These are the films of the year, the ones that we think best capture the tenor of the times. Yet they are only interested in one half of the human tableau.
Thomas Pynchon's novel makes for a wistfully funny film adaptation.
After Parks and Rec, 30 Rock and Bridesmaids, why do some in the industry still doubt women are funny?
The New Statesman goes behind the froth of daily headlines to look at the people and the passions shaping our world.
Be well-informed. Be a New Statesman reader.