In Sonita, the girls chat about the opposite sex just like any other group of teenagers, except that here they are comparing the ages of their husbands-to-be. Plus: Queen of Katwe.
The Motion Picture Association of America may have a poor track record on equality - but in the case of Pride their decision was just and correct.
Gone Girl is not anti-feminist. True equality is admitting that women can be evil too.
A recent spate of biopics focused on the cultural icons of France’s prosperous decades after World War Two prompt the question: what is it about those years that keeps French cinema harking back to them?
This film, adapted by Gillian Flynn from her bestselling thriller, is a whodunnit without a body.
Maps to the Stars places elements of ghost story, black comedy and Hollywood satire in a screwball framework.
With her speech at the UN, the actress has taken a new role – that of public feminist. The threats to leak nude photos of her online that followed shortly after are sadly not an unusual example of how women who speak out are treated.
The Dutch director, who has died aged 82, stole the unfinished reels for Phoenix’s last film Dark Blood from after coming close to death in 2007.
It wasn’t just Hollywood that revelled in the glorious adventures offered by the Western as a genre – Europe made its fair share, too.
It is astonishing, with actors as gifted as Colin Firth and Emma Stone, that Woody Allen’s latest film so badly misses the mark.
Lone Scherfig’s film adaptation of the 2010 play Posh feels unbalanced: we want to see a bit of naughty fun before the nastiness kicks in.
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