Pixar's latest animation, a sequel to Finding Nemo, gives forgetful fish Dory a lead. Plus: Jason Bourne.
Sin City: A Dame to Kill For imagines what 1940s cinema might have looked like with CGI and no Hays Code - but it falls short of that era’s crackling dialogue, smoky characters and emotional pull.
Dogfight at the Southwark Playhouse shows that a musical using an existing film as its springboard is no more or less likely to succeed than an entirely original work. And rightly so.
Jesse Eisenberg and Dakota Fanning star as eco-warriors in Kelly Reichardt’s tense new film, two radicals who plan to blow up a hydroelectric dam.
Recent torture pornographers such as Eli Roth arguably have aligned themselves with 1970s American horror auteurs not only to legitimise their work but to cash in on their rebel credibility.
Reading the books correlated with higher political tolerance, less predisposition to authoritarianism, greater support for equality, and greater opposition to the use of violence and torture.
With over 75 years of history, comics boast a multitude of inspirational female, black and even disabled characters. Superman is, at its heart, an immigrant tale, while X-Men is an allegory of the fight against fascism.
Guy Pearce and Robert Pattinson star in David Michôd’s distopian thriller The Rover: a film with an uncertain mission at its core, like a post-apocalyptic Dude, Where’s My Car?
The star of To Have and Have Not and The Big Sleep has had a stroke aged 89. But did she always get the roles she deserved?
The American actor and comedian has been found dead at his home in California, aged 63.
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