"Ships, towers, domes, theatres, and temples lie, Open unto the fields, and to the sky" - things to help remember the best of Westminster Bridge.
The film shows how Pasolini located spiritual salvation in unremarkable lives.
Over a century on from its birth, the British Board of Film Classification is struggling to make its way in the digital world.
We talk Jacqueline Wilson’s Katy, the BBC’s new sitcom Boy Meets Girl and the Carol Morley film The Falling.
Closed Curtain, by Jafar Panahi, was created despite its director’s house arrest in Iran.
Anyway, Ian Fleming’s Bond was grotesquely, unstintingly racist. As a character, it’s hardly the highest role available in UK film.
We talk Diary of a Teenage Girl, Marvel's Agent Carter, and Marjane Satrapi's Persepolis.
In some ways, Allen is a prisoner of the independence from Hollywood he fought for so long to protect.
What are the chances that Ice Cube will be held properly to account for an anti-Semitic slur in a film produced by Ice Cube?
What does the recent cinematic phenomenon of characters who are unexpected killers tell us about ourselves?
The Patriarchal Lie of the Manic Pixie Dream Girl Must Be Stabbed in the Heart and Killed was a less catchy title for a film.
The New Statesman goes behind the froth of daily headlines to look at the people and the passions shaping our world.
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