On the pop culture podcast this week: Anthony Horowitz police procedural New Blood, the Absolutely Fabulous movie and the 2005 film Bewitched by Nora Ephron.
In 2014, it shouldn’t be cutting edge to see a Hollywood movie that features a fair representation of gay people.
Meanwhile, the suspension of disbelief is getting harder and harder to pull off.
The cinema of amusing male arrested development has been a familiar subgenre for some time, but recent releases demonstrate that there’s gold to be found in femme floundering.
Central character Laila is hounded by reminders that she’s different, but refreshingly, never accepts this herself.
The vilification of Islam has reached such heights that when the Muslim Sultan Mehmet II is cast opposite history’s bloodiest psycho-tyrant, it’s Dracula who emerges as the tragic hero.
It’s time we recognised that Quentin Tarantino’s much-lauded movie is about nothing, says nothing and makes you feel nothing.
For every stab at dirty realism in Fury, there is a sanitising touch to make everything clean again.
From De Niro’s snarl to DiCaprio’s sinewy wildness, no director has explored masculinity as acutely as Scorsese, writes Tom Shone
The news that both a Dad’s Army film and Ghostbusters 3 are in the works is great for nostalgia fans. But how do you go about updating something well-loved without wrecking it?
Bhardwaj relocates the action to Kashmir in the mid-1990s. If the graft doesn’t quite take, it’s because the film is so persuasive in portraying the oppression of the Kashmiri people that the woes of Hamlet seem small beer.
We notice you have ad blocking software enabled. Support the New Statesman’s quality, independent journalism by contributing now — and this message will disappear for the next 30 days.
If we cannot support the site on advertising revenue, we will have to introduce a pay wall — meaning fewer readers will have access to our incisive analysis, comprehensive culture coverage and groundbreaking long reads.