Early-stage research success hints at a visionary future in which an immersive glass-free 3D experience could be possible at the cinema.
This is Ridley Scott we are talking about. He’s a superstar director. If anyone is a position to challenge Hollywood’s prejudices, it’s him.
Murray plays Vincent, a crabby, pasty-faced soak whose days are spent mooching around his neighbourhood, frequenting dive bars and canoodling with a pregnant prostitute.
Anti-war films often aren't because they still glamourise combat, or fail to ask questions about the wider political reasons for nations to go to war.
The greatest offerings from the only new film genre to have emerged in the last 50 years.
While it is no hardship to gaze upon ravishing images of the landscape as its autumnal glow vanishes under an icy crust, there’s not much to keep the intellect thrumming over the course of 196 minutes.
The way Turing’s story is told is comparable to the montage in Big Brother when Davina McCall told evictees: “Let’s have a look at your best bits.” The Imitation Game is Alan Turing’s best bits.
Nineteen months after his death in April 2013, a new documentary tells the story of Chicago Sun-Times film critic Roger Ebert - his bravery in the face of illness, and his uniquely democratic approach to cinema.
It’s hard to care about the future of civilisation when we meet so few members of it worth saving and most of those behave like they know they’re in a movie.
Consumed doesn’t read as a novel by a man who has spent most of his life writing screenplays – except, perhaps, that it reacts in the opposite direction, towards an art-house pacing.
Ken Adam’s design for the War Room in Stanley Kubrick’s Dr Strangelove is one of Hollywood’s most iconic images. David Hayles talks to the man who brought it into being.
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