Mark Lawson talks to the director about hope, despair and why he wants to make a sequel to Deadpool.
The new film Worst Tinder Date Ever will join a long tradition of poorly-thought-through tech storylines.
George Amponsah's film, following the repercussions of Tottenham 29-year-old Mark Duggan's death in 2011, studies injustice through both banality and drama.
Far from being a cheap rewrite, this Ghostbusters improves in every way on the original, which has been insulated for years by nostalgia.
“Women would kill to look like this.”
Absolutely Fabulous: the Movie revels in the blasé humour that made the television series so groundbreaking.
The award-winning film maker has died at the age of 76.
Genius ends up being terrifically boring, while enthusiastically reproducing the creative hierarchies of the time it portrays.
With audio and video uncannily synched, and its grainy super 8 footage, Notes on Blindness confuses the senses.
Natural history documentaries have traditionally avoided knotty conservation issues. But they are changing.
This story of memory loss shows how meaning accrues through duplication. Plus: Ma Ma reviewed.
We notice you have ad blocking software enabled. Support the New Statesman’s quality, independent journalism by contributing now — and this message will disappear for the next 30 days.
If we cannot support the site on advertising revenue, we will have to introduce a pay wall — meaning fewer readers will have access to our incisive analysis, comprehensive culture coverage and groundbreaking long reads.