The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.
The Brand New Testament is full of precis and lightning-fast recaps. In the era of listicles, perhaps Van Dormael’s time has finally come?
The Kinoteka Polish Film Festival screens the highlights of the eclectic director’s work, which is as diverse as his life has been.
The first two thirds of Audiard's latest film are set up well - so why does it morph into Death Wish 3 by the end?
Steven Spielberg was evidently much on the mind of the writer-director Jeff Nicholls, whose new film harks back to the senior filmmaker’s golden age.
On the pop culture podcast this week: Zayn’s first solo album Mind of Mine, Disney animated film Zootropolis and Lev Grossman’s magical thriller The Magicians.
If our societal biases are usually reflected on the big screen, does Hollywood suffer from heightism?
In avoiding a single cut, Sebastian Schipper’s thriller allows the actors to relish building a performance chronologically.
Long, joyless and simplistic: flashy effects can't save Zack Snyder's latest movie.
This film, in which witches actually exist and aren’t just torture-addled fantasies, has surprisingly feminist themes.
Tim Burton is not on board for the new Netflix original Pee-Wee movie, Pee-Wee’s Big Holiday. But the cult character has an equally influential benefactor these days: Judd Apatow.
For the best analysis of the 8th of June General Election, subscribe today.
Be well informed. Be a New Statesman reader