Gordon-Levitt makes Snowden’s motives transparent without ever fully dropping his guard. It is reassuring that a film in which people are spied can still have a protagonist who remains essentially unknowable.
With the cheapest-looking CGI and crummiest sets ever to have reached the screen, it's up to the plot to save Warcraft: The Beginning. . .
Disney can’t be lauded as heroes for, all of a sudden, being fine with an entire section of the world’s population.
The Jungle Book, Pete’s Dragon and Beauty and the Beast are just one small part of the studio’s extensive strategy of live-action remakes.
In Loach's films, authenticity is everything, and when his quest for realism pays off, there's nothing as raw in all of cinema.
This week on the pop culture podcast, we chat Nick Hornby’s adaptation of Nina Stibbe’s literary memoir, our histories on the internet, and an Oscar-winning 2009 Argentinian thriller.
Ryan Gilbey talks to the actor James Fleet, who stars in Whit Stillman’s Love & Friendship – his third Austen film adaptation after Sense and Sensibility and Death Comes to Pemberley.
Heart of a Dog is a part-documentary, part-film essay with a skew-whiff sense of humour.
All of acting is pretending – so why do we demand that a character's race be "real"?
This week on the pop culture podcast, we chat Maggie Nelson’s genre-defying memoir The Argonauts, TV series Jane the Virgin and the Oscar-winning documentary 20 Feet From Stardom.
They’ve still thrown every possible idea at the wall, but this time some of them stick.
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