"Ships, towers, domes, theatres, and temples lie, Open unto the fields, and to the sky" - things to help remember the best of Westminster Bridge.
And will we recognise the place when we get there. . . ?
Why when one creative claims to turn his glass into an oak tree, we accept it as a heart-breaking reaction to loss, and when another does the same, it's confusingly pointless?
Body-swap storylines are the perfect premise for filmic fun, so why is the most recent offering in the genre, Self/Less, so disappointing?
The artist on Kate Moss, time travel and life after the YBAs.
Vivienne Westwood's 150th anniversary edition of Alice's Adventures in Wonderland calls for an end to capitalism, and captures the book in an age of political mistrust.
Looking behind the preferred casts of directors throughout the history of cinema who always use the same actors.
Roman Krznaric speaks about his new project, the Empathy Museum, and why he believes it has the power to make visitors more empathetic.
As the British lost their grip on India, Punjabi and Bengali soldiers were still sent to the front lines of a European war.
Dumont isn’t satirising small-town small-mindedness so much as trying to understand how it functions – where it starts, what inflames it.
Damon Albarn's wonder.land and Tree of Codes, with music by Jamie xx, open this year's festival.
The New Statesman goes behind the froth of daily headlines to look at the people and the passions shaping our world.
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