The Goldsmiths Prize shortlisted author discusses the value of risk, the challenge of proportion, and the role of builders in contemporary thought.
Suzanne Moore’s Telling Tales.
In the recent viral video footage of a woman being repeatedly catcalled as she walks around New York, the first comments we hear addressed to her are: “Smile! SMILE!” It’s an order, an expectation.
Real Meals by Will Self.
Everyone is white, and everyone is rich – or about to be. Where’s the grit in that? But grit there is: it is stupid to assume that for a drama to be a hit, it must be filled with “people like us”.
This gritty tale of eastern European rent boys in Paris might at first sound like Ken Loach gone gay. But the effect is more redolent of a Gus Van Sant spin on Oliver Twist.
A pantomime villain imbued with the sophistication of Moriarty, Fu Manchu captured the imagination of a public already accustomed to lurid, exaggerated tales of vice among Britain’s Chinese population.
Leo Robson reviews the double-Booker Prize-winning author’s new novel about Australian identity.
Perhaps the most famous moment of resistance against the Nazis in Crete is the abduction of the Nazi commandant of the island by a team led by Paddy Leigh Fermor, later one of the great prose stylists and travel writers of our time.
This fourth book in the Frank Bascombe series a volume that tempts the word “slight” but may deserve more. Like its narrator, it is easygoing, understated, articulate and occasionally surprising.
Mecca was the city of Sardar’s childhood dreams, the ideal Muslim polity of humility and submission to God, and a community of faith. Today, under Saudi rule, it has been “remade in the image of . . . wealth and imperial splendour”.
From Trump to Brexit, the world is changing fast - and we need intelligent, incisive journalism more than ever.
Subscribe to the New Statesman today and receive free gifts worth up to £62.