In 1988, Marxism Today put out a list of "modern" and "new" things. Now, with the future of the left forcing us to radically rethink the "new times", the New Statesman has updated the list for 2016.
In the recent viral video footage of a woman being repeatedly catcalled as she walks around New York, the first comments we hear addressed to her are: “Smile! SMILE!” It’s an order, an expectation.
Real Meals by Will Self.
Everyone is white, and everyone is rich – or about to be. Where’s the grit in that? But grit there is: it is stupid to assume that for a drama to be a hit, it must be filled with “people like us”.
This gritty tale of eastern European rent boys in Paris might at first sound like Ken Loach gone gay. But the effect is more redolent of a Gus Van Sant spin on Oliver Twist.
A pantomime villain imbued with the sophistication of Moriarty, Fu Manchu captured the imagination of a public already accustomed to lurid, exaggerated tales of vice among Britain’s Chinese population.
Leo Robson reviews the double-Booker Prize-winning author’s new novel about Australian identity.
Perhaps the most famous moment of resistance against the Nazis in Crete is the abduction of the Nazi commandant of the island by a team led by Paddy Leigh Fermor, later one of the great prose stylists and travel writers of our time.
This fourth book in the Frank Bascombe series a volume that tempts the word “slight” but may deserve more. Like its narrator, it is easygoing, understated, articulate and occasionally surprising.
Mecca was the city of Sardar’s childhood dreams, the ideal Muslim polity of humility and submission to God, and a community of faith. Today, under Saudi rule, it has been “remade in the image of . . . wealth and imperial splendour”.
The story of Rosenberg’s father David, and his struggle to construct a new life after surviving the Holocaust was first published in Sweden in 2012; since then it has sold over 200,000 copies and been translated into nine languages. But Rosenberg wonders if he has the ability to tell the story at all, given that he is writing it “much later” than the events described.
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