The Goldsmiths Prize shortlisted author discusses the value of risk, the challenge of proportion, and the role of builders in contemporary thought.
Bob Stanley unpicks the recording industry’s tangled history of takeovers, piracy and changing technology.
Charlotte Gordon has managed to produce that rare thing, a work of genuinely popular history.
No coincidence that the most celebrated of all the waymarks on the road to freedom under the law was sealed by England’s most appalling king.
That evil is banal has been observed. The route to it in the case of the Tsarnaevs was a meandering path to which hindsight can bring little meaningful insight.
Here, as so often in our history, it is property rights that secure individual freedom.
Looking back at the exploitation enterprise of Menahem Golan and Yoram Globus's cinematic output.
I realise the purpose is to make me feel like a war criminal. Sorry, tweeters, I don’t.
The US director is continuing to expose the stories of Indonesia's past atrocities, and sees film as a conduit to subjects investigative journalism no longer has the resources to reach.
In Rosaleen Madigan, Enright has created a mater dolorosa without rival in the annals of Irish mothers.
She’s a feminist comedian who doesn’t shy away from ridiculing women. She reaches millions of viewers on the internet without breaking a sweat. Oh, and she’s just really, really funny.
No country has ever left the EU before, so there's no map for where we're going.
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