The great French writer loathed corruption, but he didn’t much like people power either.
The footballer Zinedine Zidane is granted a recurring role, alongside David Lynch and Gerhard Richter.
The Ministry of Utmost Happiness tells the story of a middle-aged hermaphrodite, or hijra.
Lisa McInerney's prose is as vivd at capturing sensory phenomena as conveying quirk of thought.
Hawkins’s writing displays a suspicion of power, especially male power, though she is also eager to identify moments of female collusion in misogyny.
The latest “mega-novel” from the celebrated French author of Zone is heavy on erudition but light on interest.
Is Autumn spoiled by Smith's love of the quick return and reliance on satirical fruit not so much low-hanging as fallen and rotting? It depends on the reader.
If Outline was all about shifting passivity, Transit is about characters who grab the bull by the horns. Why, then, does the novel cleave to the form of its predecessor?
It is well known that Stendhal compared politics in a novel to a gunshot in the middle of a concert – this novel of modern British politcs is more like a mirror being shot at.
Vinegar Girl and The Globe's Taming of the Shrew offer two new takes on a contentious play.
Two new books help us trace the influences of Cervantes on modern fiction.