Michelangelo disdained most artists, but his partnership with Sebastiano produced some of the boldest works of the Renaissance.
Goya’s sketched faces are haunting islands of humanity in a sea of guarded aristocrats.
Our cultures show that we can select who we are and who we want to be – but can they also be misused?
Racial diversity in comics has long been a major issue of contention, and after a summer of controversy it’s clear the industry can do better.
The art critic who contains multitudes.
Without even looking at Sutherland’s portrait, Churchill decreed it “a remarkable example of modern art”, cue much sycophantic laughter from his parliamentary colleagues.
Celts: Art and Identity shows how Celtic identity was made, not born.
A remarkable group of archaeologists are battling to save the country’s ancient artifacts.
“The World Goes Pop” shows a side of pop art we're not used to: global, challenging and politically angry.
If the National Portrait Gallery celebrates the best of British achievements, there’s a vast area that is being overlooked.
The New Statesman goes behind the froth of daily headlines to look at the people and the passions shaping our world.
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