Deserted fairgrounds, disused factories and forgotten military bases may look cool, but are we fetishising the remnants of such a cruel history?
Sicily: Culture and Conquest at the British Museum.
The "Undressed" exhibition at the V&A reveals a social dimension to bras, pants and corsets.
The Swan House Gallery in Harwich will showcase the designer’s work with long-time collaborator Hugh Tisdale.
The Syrian artist Randa Mdah expresses the suffering of a people.
Living in an age of progress, Bosch sent his monstrous creations hurtling back to the Dark Ages.
These works suggest Botticelli had more in common with Dolce & Gabbana or Andy Warhol than we realise.
Where do cultural artefacts belong? And what do we really mean by “original”?
A new exhibition at Tate Modern invites us to explore the ways we play for the camera.
Culturally, the North-South divide is getting worse as the Conservative government’s cuts take their toll on museums outside London.
In Pieter Bruegel’s hands, even black and white paintings can be full of colour, as a new exhibition at the Courtauld Gallery shows.
We notice you have ad blocking software enabled. Support the New Statesman’s quality, independent journalism by contributing now — and this message will disappear for the next 30 days.
If we cannot support the site on advertising revenue, we will have to introduce a pay wall — meaning fewer readers will have access to our incisive analysis, comprehensive culture coverage and groundbreaking long reads.