Thicke as thieves? Photo: David Buchan/Getty Images
Show Hide image

Tracey Thorn: Your songs are like your children – you have to wave them off into the world

Copyright law encourages artists to feel they're in control of what they've made. But in reality, a song is a different thing once it leaves its creator.

There’s been much talk these past couple of weeks about ownership of songs, sparked by the disputed ruling that has left Pharrell Williams liable to the tune of $7.3m over similarities between his “Blurred Lines” and Marvin Gaye’s “Got to Give It Up”. Many interesting and well-informed pieces have been written about this already and I’m not going to add to the conversation, except to say that I was as surprised as anyone else by the outcome. But it set me off thinking about the difference between the legal concept of ownership and a more nebulous, emotional feeling about whether or not songs belong to us.

Copyright law ensures that we writers earn money from our songs, and establishes our rights over the material we have composed. So don’t get me wrong – I benefit from it and am grateful for it. And yet, in some strange way, the idea of owning a song doesn’t always feel true.

Once you have written it and recorded it, and especially if it has then gone on to be a hit, a song slips out of your grasp. Played all day long on the radio – half-heard by people who are doing other things, or taken to heart by some who find that it tells the story of their life and speaks all the words they cannot say – a hit song “belongs” not to the writer, but to the listener. You wave your songs off into the world like children, hoping for the best for all of them. A hit is the child who becomes a star, soaring out of your orbit and control, swaggering about with a new identity all of its own. Sending cheques home.

This is how I feel about the Everything But the Girl song “Missing”, and it might explain why in some ways I’m less protective of it than its fans. It took the music a long time to reach its final, successful incarnation, a meandering journey in which it assumed various forms along the way, leaving me uncertain which version is the real one. And the lyrics were written at home in a scruffy notebook and tell a fictional story that never felt quite real to me, but did to so many who heard it.

I think it was Jerry Dammers who once said that you don’t ever really finish songs, you just abandon them to the public. “Missing” was found on the doorstep by millions of people who adopted and cared for it. One of those was a singer called Newtion Matthews, who sang the song on BBC1’s The Voice, weekend before last.

He spoke of how much it had meant to him, describing “a time when I was down and out and I had lost my way . . . a tough time – I was a young guy and I didn’t have anywhere to live”. And then he funked it up, in a brassy Mark Ronson-type style, taking the song somewhere new and different. Losing the melancholy, he replaced it with a kind of urgency and defiance, perhaps summoning up the feelings that had got him out of that dark place. To me, it all seemed entirely justifiable, and so I was puzzled by people who rushed to tell me on Twitter that he’d murdered it, or been disrespectful. But maybe that’s because – to come back to the point I made at the beginning – those fans feel like they own the song more than I do.

Anyway, poor Newtion got voted off and sent home, proving to me again (this is the third time I’ve seen the song in a contest – it popped up on the Italian X Factor, and before then in a previous series of The Voice) that “Missing” is not an obvious choice. It’s a hard song to sing. Not, I hasten to add, because of the vocal range (there is none to speak of) but the vocal tone, which may, after all, be essential to its success, however much you vary the arrangement.

In my favourite ever review (quoted in Bedsit Disco Queen) the journalist James Hunter described my singing of the song as being “full of her radical mid-range rationality”, but that quality is no use at all in a singing contest, where what is needed is an opportunity to impress, with high notes, ad libs, bells and whistles. “You made that song your own” is the great compliment from the judges. Funny how hard that is for a singer, when it’s what every listener does.

Tracey Thorn is a musician and writer, best known as one half of Everything but the Girl. She writes the fortnightly “Off the Record” column for the New Statesman. Her latest book is Naked at the Albert Hall.

This article first appeared in the 27 March 2015 issue of the New Statesman, Easter Double 2015

GETTY
Show Hide image

The wildfire victims of forestry neglect - and the trees that saved them

Events in Portugal show how present mismanagement of the natural world reaches far beyond climate change, while also leaving communities more vulnerable to its effects.

When guesthouse owner Liedewij Schieving first heard about the wildfire in nearby Pedrogado Grande, she wasn’t overly concerned. “We always have fires here,” she explains at her home deep in the central Portugese forest.

It was only later that night, eating outside with her 11 guests, that the fear set in: “The wind was starting to smell and the sunset looked weird and dark.” By early the next morning the vast wall of flames had breached their remote valley. “I’ve never been in a war,” Liedewij says, still shaken, “but it was how I imagine war to sound.”

Soaring to temperatures of over 800 centigrade - high enough to melt windscreens and sink tyres into tarmac - the inferno eventually burned over 30,000 hectares of forest. By the time it was quelled, 64 adults and children had lost their lives, some dying trapped in their cars as they tried to escape down an unsafe road. “The biggest tragedy of human life we have known in years,” is how the country’s Prime Minister responded to the news on 18 June.

Two months later, the Pedrogado fire has proved the precusor to another summer of extreme weather events. Across southern and central Europe recent weeks have seen high winds and low humidity whip up wildfires everywhere from Spain to Serbia. At time of writing, 2,000 people in Portugal are trapped in the town of Mação as flames and smoke block their exit. In France, fires recently forced over 20,000 people from their homes and campervans.

Climate change is an unmistakable culprit. A Carbon Brief analysis of 140 studies from around the world found that 63 per cent of extreme weather events are linked to human-caused warming - making them either more likely or more severe.

Yet as countries assess the damage, evidence of humanity’s wider mismanagement of nature is also becoming harder to ignore. In Portugal, the excessive planting of eucalytpus trees is taking some of the blame for recent events. The species is the timber of choice for the country’s powerful paper industry, covering both industry-owned plantations and hundreds of tiny private smallholdings who sell it on. But it also happens to be highly flammable: think Grenfell cladding but spread over nearly a million hectares of land.

Liedewij’s story is evidence of this. Where dense eucalyptus forest once hid her home in dappled shade, the hillside is now charred and bare. “It was terrible,” she says of the moment she opened the gates for the farm animals before fleeing the valley, “we thought we were leaving them behind to grill”. Except that, as in all good disaster films, Liedewij’s goats didn’t burn - and nor did her picturesque house. Instead, fire-retardant willow trees by a nearby stream held the flames naturally at bay. On returning the next morning, she even found the hens laying eggs.

Liedewij Schieving outside her B&B at Quinta da Fonte - the bare hills behind the house show just how close the fire came.

Seen from above, her remote farmstead is now a tiny island of green amid a sea of black. She still panics at the smell from the woodfired heating, but support has poured in from friends both in Portugal and her native Holland, and she soon plans to fully re-open Quinta da Fonte B&B. Many guesthouses in nearby villages have already got back up and running.

Others among her neighbours, however, are not so lucky. Over 10,000 separate fires have destroyed 141,000 hectares of land in Portugal this year alone, with the annual cost of wildfire losses estimated to reach around €200m. A situation that risks further perpetuating the cycle of poverty and neglect that also played their part in the tragedy.

According to Domingos Patacho from the environmental NGO Quercus, the forest has become more hazardous as many of central Portugal's thousands of smallscale landholders leave their land untended to seek better wages elsewhere. Meanwhile, those who remain are often financially dependent on the income from the eucalyptus. They could choose to plant less flammable and water-hungry species, such as native corks or oaks, Patacho explains, but these can take twice as long to mature and provide a return.

The result is rising tension between the Portugese paper industry and the central government. After the June fire, the parliament pledged to push ahead with plans to limit the monoculture plantations. But the country’s Association of the Paper industry has previously warned that any ban on new plantations could hurt exports and jobs.

The reality is that both sides of the eucalyptus spread - both industry-owned and private - need improved regulation. But in a country only recently released from EU imposed austerity measures, debates over how enforcement could be financed are particularly tense. Not least since many areas do not even have an up to date land register, Patacho expplains.

At ESAC, an agrarian research base in central Portugal, professor Antonio Ferreira believes the time is now ripe for discussion between politicians, citizens and researchers about the future of forest land-use as a whole. The country needs to encourage people “to re-introduce native species, which will diversify the landscape and economic activity in those areas,” he says.

And the impulse is far from limited to Portugal. “We need to look at all the social aspects to get the full picture as well as the scientific side of forest management,” says WWF’s Jabier Ruiz of Europe’s wider wildfire problems. One route out of the woods may be greater EU policy support for those living in marginalised, rural areas, he adds.

What is clear is that as the continent warms, the need to improve the balance between social, environmental and commercial interests becomes ever more crucial. And while politicians debate, work at Liedewij’s home is already underway. Over the next few weeks, a group of her eco-minded friends, builders and topographers will help her re-build and re-landscape her farm. From digging terraces to stop landslides, to preventing the eucalyptus from re-emerging too close to the roads, their aim is to regrow a forest that works for all: a slow-burn project perhaps, but a bright one.

India Bourke is an environment writer and editorial assistant at the New Statesman.