Is the gender gap in earnings the product of "rational" inequality? Picture: Hulton Archive
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Much of women's work is unpaid - but without it, the economy would crumble

Katrine Marçal's Who Cooked Adam Smith's Dinner? reminds us how Homo economicus has always been supported by free, underacknowldged, female labour.

Who Cooked Adam Smith's Dinner?
Katrine Marçal, trans. Saskia Vogel 
Portobello Books, 240pp, £12.99

We don’t normally think of unpaid work as relevant to the economy. Housework – the cycle of cooking, cleaning, wiping, soothing, ironing that forms the daily life of so many women around the world (and yes, the emergence of the New Man notwithstanding, it is still women who do the vast bulk of unpaid work) – is usually excluded from economic analysis. It is made invisible, seen as a limitless natural resource, and therefore as having no value.

But what if one day women all over the world put down their feather dusters? What if we had to start paying for all the free cleaning and childcare? Canada’s national statistical agency has already thought about this: it came to the conclusion that unpaid work contributed between 30.6 and 41.4 per cent of GDP. That is a not insubstantial figure. So, why is such a huge contributor to national wealth being routinely ignored?

That is the question Katrine Marçal sets out to answer in Who Cooked Adam Smith’s Dinner?. She tells us the story of the emergence of Homo economicus, or Economic Man, the mythical figure around whom our world runs. Economic Man is rational. He is an autonomous individual who makes independent choices calculated to maximise his utility (economics-speak for well-being). Above all, he is a man. “[E]very aspect of Economic Man’s personality overlaps with every trait throughout history that we’ve come to call masculine,” Marçal writes. Besides, these traits are “those which we have understood to be superior to and worthy of dominating that which we call feminine”.

And what traits do we call feminine? Well, the opposite of everything embodied by Economic Man, of course. He is rational; she is emotional. He is independent; she is dependent. He is selfish; she’s self-sacrificing. She is everything he needs her to be so that he can be a GDP-generating island.

The thing is, not even man lives up to the myth of Economic Man. Behavioural economics has shown repeatedly that no one takes decisions in a “rational” manner. Our decisions are affected by how we feel at the time we take them, whether we are alone or in company, whether we are hungry. Even the way the choices are presented, or who presents them to us, can have an effect. All these variables can lead us to make decisions that would seem to run counter to our best interest. And yet these “irrational” decisions are the ones we are making every day. Why, Marçal asks, are we so bent on ignoring them?

As for the innately caring, dinner-cooking woman, she is exposed as little more than a rationalisation of inequality. For “the market is always right” fundamentalists, situations in which “women’s work” is unpaid – or where women are paid less for doing the same job, or where feminised industries garner lower wages – must have a rational explanation. Chicago economists, who in the 1950s were among the first to try to include unpaid work in economic models, hypothesised that because women were tired from all the polishing and scrubbing, they were unable to put as much effort as men into paid work. Therefore it was rational that they be paid less. On the other hand, they also reasoned that women did more housework because they were paid less. But then, economists aren’t always the most progressive creatures. The same Chicago economists also posited racial segregation as a rational solution to dealing with a racist workforce and clientele. And when Lawrence Summers was chief economist at the World Bank he defended the “impeccable” economic “logic” of dumping toxic waste from developed countries in the “LDCs” (least developed countries). Rich nations get rid of toxic waste: LDCs get enough cash to compensate for the rise in disease. “Let them eat pollution,” Marçal drily notes.

In this spirited and witty manifesto, she argues that we have allowed Economic Man to invade every aspect of our lives, to our detriment. The myth has even entered our sex lives: books such as Spousonomics advocate that wives control their husbands by “rewarding” them with sex if they behave well. There is no room in this analysis for a wife who wants to have sex because she enjoys it. There is no room in this analysis for anyone doing anything for any reason other than the most calculated self-interest. Love, passion and pleasure are relegated to the realm of the feminine – dangerously irrational.

“We cannot challenge Economic Man without feminism,” Marçal writes, “and we can hardly change anything of importance today without challenging Economic Man.” So, in commanding rhetoric punctuated with spiky wit, she does exactly that. It was Adam Smith’s mother who cooked his dinner: he never married, and lived with her for most of his life. Yet despite his dependence on her care she does not figure in his account of how meals are produced: “It is not from the benevolence of the butcher, the brewer, or the baker, that we can expect our dinner, but from their regard to their own interest.” Unlike the Chicago economists, Marçal does not seek to yoke every last aspect of our lives to the tyranny of Homo economicus. Rather, she asks why we have fetishised the myth, and suggests that man denuded of his humanity is not such a figure to aspire to after all.

Caroline Criado-Perez appears at the Cambridge Literary Festival, in association with the New Statesman, on 14 April. cambridgeliteraryfestival.com

Caroline Criado-Perez is a freelance journalist and feminist campaigner. She is also the co-founder of The Women's Room and tweets as @CCriadoPerez.

This article first appeared in the 06 March 2015 issue of the New Statesman, How Islamic is Islamic State?

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What can a new book of Holocaust testimony tell us about the Third Reich?

Laurence Rees has probably interviewed more people who lived through the Holocaust than anybody else.

“The first authoritative and accessible account of the Holocaust in three decades”, proclaims the publisher’s blurb about this book. But wasn’t Saul Friedländer’s prizewinning classic Nazi Germany and the Jews (in two volumes, in 1997 and 2007) authoritative and accessible? Perhaps the publishers think that Final Solution, the thousand-page epic published posthumously less than a year ago by the late, highly readable historian David Cesarani, wasn’t authoritative? Or maybe Peter Longerich’s Holocaust (2010), which nobody could reasonably say wasn’t authoritative, in some way wasn’t accessible?

These are not the only serious and approachable accounts of the Nazi extermination of Europe’s Jews between 1939 and 1945. The Holocaust is one of the most intensively studied subjects in history and the publishers are misleading potential readers when they imply that somehow it isn’t.

What new insights and material does Laurence Rees bring to the table? Rees made his name in the 1990s as a television producer, making numerous outstanding programmes. He was editor of Timewatch, the BBC’s flagship series of historical documentaries, and then became head of history at the BBC while continuing to produce his own programmes, including The Nazis: a Warning from History (1997) and Auschwitz: the Nazis and the Final Solution (2005). These and other programmes were notable for their depth of research, their accuracy and their awareness of the latest thinking by specialists on the topics they covered. Rees has won numerous accolades for his work, including a Bafta and two Emmys. He has done more than anyone else to raise the standard of historical documentaries and to spread to a wide audience in a gripping fashion the findings of academic research, above all on the Nazis.

But he grew dissatisfied with television’s insatiable demand for new methods and perspectives. In 2008, he resigned from the BBC to set up a multimedia website about the Second World War, although he returned to television work with his independent company, with programmes such as The Dark Charisma of Adolf Hitler and Touched by Auschwitz. One hopes that he will continue making documentaries for many more years.

Rees has accompanied a number of his television documentaries with products of an even more traditional character: books. Auschwitz: the Nazis and the “Final Solution” (2005), a tie-in with his television series of the same name, became a bestseller. Like his others books, The Holocaust reads rather like a television programme put down on paper in an expanded but, in essence, unaltered form. The text is a kind of voice-over, written in plain and simple language that often verges on banality.

Television documentaries depend above all on visual images. The room they leave for spoken words is very limited; hence the need for simplicity and concision. However, a book of more than 500 pages demands a different kind of approach – the employment of stylistic grace of the sort that one finds in Friedländer’s magnificent volumes – and it is notable by its absence here.

Among Rees’s great virtues as a producer of documentaries about the Nazis were the assiduity and ingenuity that he displayed in searching out eyewitnesses and persuading them to speak to the recording camera. Often their testimony was gripping, moving and disturbing. Who can forget the blank denial of an elderly German woman confronted by Rees’s team with a denunciation that she had written to the Nazi authorities at the age of 20, reporting the “suspicious behaviour” of a neighbour who failed to give the Nazi salute and seemed to have a Jewish friend? The Gestapo always investigated letters such as this, and all too frequently the story ended with the arrest of the person denounced and their imprisonment and even death.

Over the years, Rees has probably interviewed more people who lived through the Third Reich than anybody else. For the television series he produced, hundreds of interviews had to be boiled down to a few fairly short excerpts. In The Holocaust: A New History, he presents a further, much more generous selection, marking it as “previously unpublished testimony”. Thus the book reproduces the documentary format of interviews linked by commentary.

Much of this testimony presents detailed evidence of the sufferings of the victims of Nazi anti-Semitism across Europe. Rees quotes at length an interview with a Frenchwoman who was taken with her family at the age of nine by French police as part of a round-up of Parisian Jews in 1942. They were kept in appalling conditions at a holding camp in Beaune-la-Rolande, south of Paris, and then their mothers were taken away, to be murdered at Auschwitz, although the children did not know their fate.

Among the graphic details supplied in the narrative, the interviewee describes how suddenly the children went to the camp latrine, and said, “Oh, come look, come look” – at the bottom, mixed with the excrement, there were many brilliant, shiny things. They were wedding rings that the mothers, having been told to surrender all their jewellery, had preferred to throw away rather than give up. Her father, who was away at the time of the raids, eventually succeeded in using bribery to free the girl.

At a Nazi death camp, one former prisoner interviewed by Rees had escaped immediate gassing by following the cryptic advice of one of the inmates: “Say you’re a carpenter.” He quickly learned the trade on the job and describes how when the women arriving at the camp had their heads shaved, they “gained hope, for if they are going to have their hair cut, it means there is going to be some life after . . . for hygiene is necessary in a camp”.

The interviewees provide vivid descriptions of the horror of the evacuation of the camps as the Red Army approached, with the SS shooting anyone on the “death marches” who failed to keep up. One interviewee, whose job was to sort the clothes of murdered Jews, remembered: “When I marched out of the camp . . . I was very well dressed. I had a Russian hat, a fur hat, with a heavy coat, and good shoes. And the only thing is, I don’t know what made me do it, but I had my pockets full of lumps of sugar. Why I did it, I don’t know – other people took meat. The sugar and the snow [mixed together], I survived because of that.” Often Rees’s subjects evoke the state of mind they were in at the time, ranging from dull despair to terror, while those forced to help the SS suppressed their feelings in order to survive.

All of this is effective and often it is powerful. The question to ask, however, is whether relying so heavily on such testimonies is the right way to go about putting together a book, as opposed to a television series, on the Holocaust. There is no denying that the interview material on which Rees focuses is largely compelling, always illuminating and on occasion very moving, and Rees and his team clearly took great care to sift it for inaccuracies. Taken as a whole, it adds considerably to the detailed picture we already have of the Nazi persecution and extermination of the Jews. Still, it gives the book a rather partial character. This is not a complete history of the Holocaust and much of the most compelling evidence is left out because we have read it somewhere before.

Rees does incorporate written material in some quantity but he nonetheless privileges his interview material because, as he argues, when you talk to the people who lived through it, the history still lives. That is the view of the television producer; for a historian who spends almost all of his or her time ploughing through mountains of documents, history lives through the written word far more than it lives through interviews, because the written word can have the immediacy that comes from being contemporary, rather than being passed through the sieve of decades-old memory.

In its narrative structure, this is a fairly conventional chronological account of Nazi anti-Semitism. The first eight of the book’s 18 chapters describe the origins and spread of anti-Semitism in Germany and its consequences in practice once the Nazis assumed power. It is noticeable here that there is an overwhelming focus on Hitler, who is portrayed as almost the sole driving force in the Nazi persecution of the Jews. It’s a pity that Rees didn’t devote more attention to other leading anti-Semites in the Nazi leadership, from Goebbels to Alfred Rosenberg, or to the question, much debated and researched in recent years, of how far and in what way the Nazis’ hatred of Jews was shared by the bulk of the German population.

Persecution slid into murder in a process that Rees correctly portrays as occurring in stages and linked to Nazi plans for the creation of a new racial order in Europe that involved the murder by starvation and unchecked disease of millions of “Slavs”, “Gypsies” and other supposed racial undesirables. At this point, Hitler becomes much less prominent in the narrative, in a way that is surprising given his centrality in the first half of the book. Perhaps this is inevitable, in the light of Rees’s admirable determination to range across the whole of Nazi-dominated Europe, taking in the persecution and murder of Jews from Belgium to Belarus, but it again throws into relief his relatively narrow focus on Hitler earlier on.

The late David Cesarani deliberately extended his narrative of what the Nazis called the “final solution of the Jewish problem in Europe” – a “problem” that was entirely of their own making and a “solution” that was a euphemism for brutal, unrelenting extermination – beyond the end of the war, up to 1949, because, he argued, the suffering of the Jews did not end with the collapse of the Third Reich but continued in displaced persons’ camps and in what remained of Jewish communities in Poland and elsewhere in eastern Europe. Rees stops abruptly in 1945, however, and we don’t learn enough about what came after.

This isn’t, therefore, the best book about the Holocaust, nor is it the first authoritative and readable account in decades, but it does add to the mass of testimony and evidence accumulated by other historians. Like all of Rees’s work, it is accurate and carefully researched, and the combination of a clear, simple style and powerful transcripts will ensure it a wide readership.

Ironically, in view of the scepticism that led its author to abandon his job in television because he thought that the future lay with the World Wide Web, it is perhaps a history not for the internet but for the television age.

Richard J Evans’s books include “The Third Reich in History and Memory” (Abacus) and “The Pursuit of Power: Europe, 1815-1914” (Allen Lane)

This article first appeared in the 12 January 2017 issue of the New Statesman, Putin's revenge