Latitude 2015: Thursday 16th - Sunday 19th July
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Latitude Festival

Latitude Festival announces 2015 theme: For Richer, For Poorer, For Better, For Worse

For the second year, the New Statesman is media partner to Latitude, the music and arts festival in Henham Park, Suffolk.

For the second year, the New Statesman is media partner to Latitude, the music and arts festival in Henham Park, Suffolk. Last year the NS hosted events on surveillance and privacy, dystopian fiction and videogames, featuring Jimmy Wales, Meg Rosoff, Laurie Penny, Helen Lewis and Toby Litt. The music bill was headlined by Damon Albarn.

The 2014 festival theme was Secrets and Lies. The NS can exclusively announce that the 2015 theme will be For Richer, For Poorer, For Better, For Worse.

Taking its cue from the traditional marriage vow, Latitude’s literature and arts programming will explore how individuals and communities conduct our public, private, personal and – especially pertinent after May’s election – political relationships.

Tania Harrison, arts programmer for Latitude Festival said:

“Whether it’s clicking ‘yes’ to Google’s terms of service, saying ‘I do’ in a marriage ceremony, or putting an X in a political party’s box at the general election, the agreements we make affect the lives of everyone around us. Yet at the same time, there’s a tension between the world in which we’re told we’re ‘all in this together’ and our society itself, with its growing extremes of rich and poor, social media oversharing and increasingly secretive state security agencies.

"This space between a promise and its fulfillment, participation and exclusion is incredibly rich territory for the people who make art and ideas. We’re working with an array of theatre companies, writers, performers and speakers to bring the theme to life at Latitude.”

Performances and events from organisations such as Forest Fringe, Theatre Uncut, The Roundhouse and Clean Break will look at the marriage between government and the electorate as well as last year’s near-uncoupling of England and Scotland. A new piece by Action Hero called Wrecking Ball “uses Terry Richardson and Miley Cyrus’s collaboration on a music video to examine how the nature of modern celebrity, mediated as it is by online and social media, means that many of us feel we have very intimate relationships with people we’ll never really meet.”

Harrison says the programme promises to address “whether we’re happy staying married to the status quo to, or whether - in the words of many a Facebook profile – it’s complicated”.

The New Statesman will host a satellite event in London in advance of the festival. 

 

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Don’t worry, Old Etonian Damian Lewis calls claims of privilege in acting “nonsense!”

The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.

In the last few years, fears have grown over the lack of working class British actors. “People like me wouldn’t have been able to go to college today,” said Dame Julie Walters. “I could because I got a full grant. I don’t know how you get into it now.”

Last year, a report revealed that half of Britain’s most successful actors were privately educated. The Sutton Trust found that 42 per cent of Bafta winners over all time were educated independently. 67 per cent of British winners in the best leading actor, actress and director categories at the Oscars attended fee-paying schools – and just seven per cent of British Oscar winners were state educated.

“That’s a frightening world to live in,” said James McAvoy, “because as soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody but of one tiny part. That’s not fair to begin with, but it’s also damaging for society.”

But have no fear! Old Etonian Damian Lewis is here to reassure us. Comfortingly, the privately-educated successful actor sees no problem with the proliferation of privately-educated successful actors. Speaking to the Evening Standard in February, he said that one thing that really makes him angry is “the flaring up recently of this idea that it was unfair that people from private schools were getting acting jobs.” Such concerns are, simply, “a nonsense!”

He elaborated in April, during a Guardian web chat. "As an actor educated at Eton, I'm still always in a minority," he wrote. "What is true and always rewarding about the acting profession is that everyone has a similar story about them being in a minority."

Lewis’s fellow alumni actors include Hugh Laurie, Tom Hiddleston, Eddie Redmayne – a happy coincidence, then, and nothing to do with the fact that Etonians have drama facilities including a designer, carpenter, manager, and wardrobe mistress. It is equally serendipitous that Laurie, Hiddleston and Tom Hollander – all stars of last year’s The Night Manager – attended the same posh prep school, The Dragon School in Oxford, alongside Emma Watson, Jack Davenport, Hugh Dancy, Dom Joly and Jack Whitehall. “Old Dragons (ODs) are absolutely everywhere,” said one former pupil, “and there’s a great sense of ‘looking after our own’." Tom Hollander said the Dragon School, which has a focus on creativity, is the reason for his love of acting, but that’s neither here nor there.

Damian Lewis’s wife, fellow actor Helen McCrory, first studied at her local state school before switching to the independent boarding school Queenswood Girls’ School in Hertfordshire (“I’m just as happy to eat foie gras as a baked potato,” the Telegraph quote her as saying on the subject). But she says she didn’t develop an interest in acting until she moved schools, thanks to her drama teacher, former actor Thane Bettany (father of Paul). Of course, private school has had literally no impact on her career either.

In fact, it could have had an adverse affect – as Benedict Cumberbatch’s old drama teacher at Harrow, Martin Tyrell, has explained: “I feel that [Cumberbatch and co] are being limited [from playing certain parts] by critics and audiences as a result of what their parents did for them at the age of 13. And that seems to me very unfair.”

He added: “I don’t think anyone ever bought an education at Harrow in order for their son to become an actor. Going to a major independent school is of no importance or value or help at all.” That clears that up.

The words of Michael Gambon should also put fears to rest. “The more Old Etonians the better, I think!” he said. “The two or three who are playing at the moment are geniuses, aren’t they? The more geniuses you get, the better. It’s to do with being actors and wanting to do it; it’s nothing to do with where they come from.”

So we should rejoice, and not feel worried when we read a list of privately educated Bafta and Oscar winners as long as this: Chiwetel Ejiofor (Dulwich College), Emilia Clarke (St Edward’s), Carey Mulligan (Woldingham School), Kate Winslet (Redroofs Theatre School), Daniel Day-Lewis (Sevenoaks School, Bedales), Jeremy Irons (Sherborne School), Rosamund Pike (Badminton), Tom Hardy (Reed), Kate Beckinsale (Godolphin and Latymer), Matthew Goode (Exeter), Rebecca Hall (Roedean), Emily Blunt (Hurtwood House) and Dan Stevens (Tonbridge).

Life is a meritocracy, and these guys were simply always the best. I guess the working classes just aren’t as talented.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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