Have we met before? The mutable Oscar Isaac.
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Welcome to Oscar season — Oscar Isaac season, that is

Oscar Isaac exploits his unique charisma and mutable appearance in two of the biggest films released this awards season.

A Most Violent Year (15)
dir: J C Chandor

Ex Machina (15)
dir: Alex Garland

I’m a sucker for Oscar season. Oscar Isaac season, that is. When I failed to recognise him last year in Hossein Amini’s The Two Faces of January it occurred to me that this Lonely Planet compendium of a man (he has Cuban, Guatemalan, French and Israeli branches in his family tree) might be a born star. In that sun-kissed Patricia Highsmith adaptation, it was tantalisingly unclear whether his true designs were on a chirpy young bride or her shady older husband. Where had this matinee idol sprung from? It was as though the film-makers had travelled back in time and kidnapped Ramon Novarro.

I’d seen Isaac only a few months earlier in the Coen brothers’ Inside Llewyn Davis. He looked entirely different with his inky beard and his curls like black lianas; his sleepwalking presence as a forlorn folk minstrel was spellbinding. The magic is in those coolly insinuating eyes, not so much “Come to bed” as: “Come back to bed, we haven’t finished yet.”

It transpires that Oscar Isaac amnesia is a common ailment. At the premiere in Cannes of the Coens’ film, reporters wondered if he was a real folk singer. All memory of him as a smouldering jailbird in Drive had been erased. (His turn as a piano-playing security guard in Madonna’s WE had also been forgotten, which was probably a blessing.) Now Isaac has arrived, as proven by his presence in two new films and the next instalments of X-Men and Star Wars. But do the movies know what to do with him?

The answer, in A Most Violent Year, is: sort of. He plays Abel Morales, an immigrant businessman whose rise as New York City’s leading fuel supplier in the early 1980s is threatened by competitors. His drivers are being ambushed and his fuel stolen. Still he never raises his voice above a soothing rumble. Stalking the concrete plains of the city’s waterfront, all weeds and warehouses and crumbling walls, Abel is like a magnificent lion in his desert-coloured, box-shouldered camel-hair coat. What a pity that his pronouncements – “I like to own the things I use”; “I will not allow the weaknesses of others to affect me” – make him sound like a capitalist fortune cookie.

Imagine a New York version of The Long Good Friday and you’ll have some idea of where the plot is heading. Jessica Chastain, as Abel’s brassy mobster wife, even seems to be channelling Helen Mirren. Unfortunately, the writer-director, J C Chandor, extinguishes drama at every opportunity. When he isn’t resorting to ponderous wide shots of men exchanging briefcases under the gaze of the grey Manhattan skyline, he is filling the screen with tasteful images of the Morales family home; this tale of crime, corruption and soft furnishings resembles a Sunday-supplement Scorsese. Abel has two young daughters who pop up only when the plot needs them (one finds a loaded gun; the other has her birthday party interrupted by police) but there’s not a toy to be seen in the house. These lives don’t look lived-in.

A Most Violent Year draws any potency it has from its leading man. His strongest scene, when Abel is teaching the sales team to captivate customers (“Hold the eye contact longer than you’d like – you see what happens”), is like an Oscar Isaac acting masterclass. Ex Machina also exploits his unique charisma and mutable appearance. He swaps Abel’s sleek hair helmet for a shaved head and a beard like a hairy nosebag; his face seems to be on upside-down.

Isaac plays Nathan, a billionaire who is developing artificial intelligence at his remote mountain hideaway. He invites a young programmer (Domhnall Gleeson) to spend time with his synthetic creation (Alicia Vikander), to determine if she can pass for human. There are sweeping helicopter shots and chic cinematography but this three-hander isn’t cinema: it’s a Ted talk shot in a boutique hotel, with ideas about consciousness and evolution itemised rather than dramatised. Isaac delivers a detailed study in derangement, whether breaking into a dance routine or experiencing perverse delight as the megabytes hit the fan (“This is fucking unreal!”). But if it’s complex female characters you want, stick with the Fembots from Austin Powers.

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

This article first appeared in the 23 January 2015 issue of the New Statesman, Christianity in the Middle East

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Theresa May "indifferent" towards Northern Ireland, says Alliance leader Naomi Long

The non-sectarian leader questioned whether the prime minister and James Brokenshire have the “sensitivity and neutrality” required to resolve the impasse at Stormont.

Theresa May’s decision to call an early election reflects her “indifference” towards the Northern Ireland peace process, according to Alliance Party leader Naomi Long, who has accused both the prime minister and her Northern Ireland secretary James Brokenshire of lacking the “sensitivity and neutrality” required to resolve the political impasse at Stormont.

In a wide-ranging interview with the New Statesman, Long – who is running to regain her former Belfast East seat from the DUP for her non-sectarian party in June – accused the Conservatives of “double messaging” over its commitment to Northern Ireland’s fragile devolution settlement. The future of power-sharing province remains in doubt as parties gear up for the province’s fourth election campaign in twelve months.

Asked whether she believed the prime minister – who has been roundly criticised at Stormont for her decision to go to the country early – truly cared about Northern Ireland, Long’s assessment was blunt. “We have had no sense at any time, even when she was home secretary, that she has any sensitivity towards the Northern Ireland process or any interest in engaging with it at all... It speaks volumes that, when she did her initial tour when she was prime minister, Northern Ireland was fairly low down on her list.”

The timing of the snap election has forced Brokenshire to extend the deadline for talks for a fourth time – until the end of June – which Long said was proof “Northern Ireland and its problems were not even considered” in the prime minister’s calculations. “I think that’s increasingly a trend we’ve seen with this government,” she said, arguing May’s narrow focus on Brexit and pursuing electoral gains in England had made progress “essentially almost impossible”.

“They really lack sensitivity – and appear to be tone deaf to the needs of Scotland and Northern Ireland,” she said. “They are increasingly driven by an English agenda in terms of what they want to do. That makes it very challenging for those of us who are trying to restore devolution, which is arguably in the worst position it’s been in [since the Assembly was suspended for four years] in 2003.”

The decisive three weeks of post-election talks will now take place in the weeks running up to Northern Ireland’s loyalist parade season in July, which Long said was “indicative of [May’s] indifference” and would make compromise “almost too big an ask for anyone”. “The gaps between parties are relatively small but the depth of mistrust is significant. If we have a very fractious election, then obviously that timing’s a major concern,” she said. “Those three weeks will be very intense for us all. But I never say never.”

But in a further sign that trust in Brokenshire’s ability to mediate a settlement among the Northern Irish parties is deteriorating, she added: “Unless we get devolution over the line by that deadline, I don’t think it can be credibly further extended without hitting James Brokenshire’s credibility. If you continue to draw lines in the sand and let people just walk over them then that credibility doesn’t really exist.”

The secretary of state, she said, “needs to think very carefully about what his next steps are going to be”, and suggested appointing an independent mediator could provide a solution to the current impasse given the criticism of Brokenshire’s handling of Troubles legacy issues and perceived partisan closeness to the DUP. “We’re in the bizarre situation where we meet a secretary of state who says he and his party are completely committed to devolution when they ran a campaign, in which he participated, with the slogan ‘Peace Process? Fleece Process!’ We’re getting double messages from the Conservatives on just how committed to devolution they actually are.”

Long, who this week refused to enter into an anti-Brexit electoral pact with Sinn Fein and the SDLP, also criticised the government’s push for a hard Brexit – a decision which she said had been taken with little heed for the potentially disastrous impact on Northern Ireland - and said the collapse of power-sharing at Stormont was ultimately a direct consequence of the destabilisation brought about by Brexit.

 Arguing that anything other than retaining current border arrangements and a special status for the province within the EU would “rewind the clock” to the days before the Good Friday agreement, she said: “Without a soft Brexit, our future becomes increasingly precarious and divided. You need as Prime Minister, if you’re going to be truly concerned about the whole of the UK, to acknowledge and reflect that both in terms of tone and policy. I don’t think we’ve seen that yet from Theresa May.”

She added that the government had no answers to the “really tough questions” on Ireland’s post-Brexit border. “This imaginary vision of a seamless, frictionless border where nobody is aware that it exists...for now that seems to me pie in the sky.”

However, despite Long attacking the government of lacking the “sensitivity and neutrality” to handle the situation in Northern Ireland effectively, she added that Labour under Jeremy Corbyn had similarly failed to inspire confidence.

“Corbyn has no more sensitivity to what’s going on in Northern Ireland at the moment than Theresa May,” she said, adding that his links to Sinn Fein and alleged support for IRA violence had made him “unpalatable” to much of the Northern Irish public. “He is trying to repackage that as him being in some sort of advance guard for the peace process, but I don’t think that’s the position from which he and John McDonnell were coming – and Northern Irish people know that was the case.” 

Patrick Maguire writes about politics and is the 2016 winner of the Anthony Howard Award.

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