Marilyn Monroe, photographed on 3 December 1961, when she was 35. Photo: Archive/AFP/Getty
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From Marilyn Monroe to Audrey Hepburn: why dead women make the ideal brand ambassadors

The trend for using long-dead actresses to front campaigns aimed at female consumers is at best tasteless and at worst insidious.

Despite having been dead for 52 years, Marilyn Monroe has landed a job that many contemporary actresses would kill for: she has been hired as the new “face” of Max Factor. “We are thrilled to announce that glamour icon Marilyn Monroe is our new Global Ambassador!” the cosmetics company announced on social media to a decidedly mixed response.

Given the nature of an ambassadorial role, one might assume Monroe to be an impractical choice but, thanks to technology, death is no longer an obstacle when it comes to advertising. If anything, it’s an asset. In Forbes’ annual list of top-earning deceased celebrities Monroe ranked number 6, bringing in $17m last year for Authentic Brands Group, who own the rights to her image.

Marilyn Monroe in the 2011 Dior campaign

Nor is this Monroe’s first posthumous appearance for a beauty brand. She was resurrected in 2011, along with Grace Kelly and Marlene Dietrich, to star in a Dior perfume advert. Similarly, Audrey Hepburn, who died 22 years ago this month, could recently be seen scoffing chocolate in an advert for Galaxy, (somewhat incongruously, given her famously svelte figure).

Audrey Hepburn advertising Galaxy chocolate

However, this trend for using long-dead actresses to front campaigns aimed at female consumers is at best tasteless and at worst insidious.

If still alive today Monroe, Hepburn and Kelly would all have been in their 80s. Dietrich would have been 113. But the images seared into public consciousness – and proliferated by advertisers – are of these women at their aesthetic peak. The same, youthful photographs are continuously recycled on social media (sometimes emblazoned with a wrongly-attributed inspirational quotation), in print and online, effectively reducing Marilyn et al to the status of cartoon characters.

While Monroe was 36 when she died, meaning there are no photographs of her as an older woman, Kelly and Hepburn were 52 and 63 respectively when they passed away. You wouldn’t know it from a cursory image search online though – the results are mostly photographs of both women in their 20s and 30s. In fact, the first image of Hepburn looking visibly older comes via a Reddit post titled “’Cause people seem to only post the 20-something Audrey Hepburn”. One commenter replied: “I honestly assumed she died in her twenties because I’ve never seen a picture of her any older.”

Audrey Hepburn photographed in Amsterdam on 24 April 1990, when she was 60. Photo: Archive/AFP/Getty Images

This confusion is beneficial to brands whose customers have grown increasingly savvy to digital manipulation. Adverts with contemporary actresses and models have lost their impact because we know (or, at least, suspect) that the women they display have been cut, plucked and starved into perfection even before the retoucher has taken to them with his Adobe toolkit.

Conversely, we have a habit of romanticising golden age Hollywood as a more honest time, when women were voluptuous and technology was not advanced enough to airbrush pictures. In truth, little has changed. Monroe had a chin implant and nose job; whispers of anorexia have long been attached to Hepburn (let’s put it this way, she certainly wasn’t binging on Galaxy chocolate bars). And the National Portrait Gallery’s excellent 2011 exhibition, Glamour of the Gods, revealed that airbrushing was rife. One print of Irene Dunne featured scribbles on her forehead where she had been marked for retouching. Another series of images showed Joan Crawford: in one picture she has freckles and forehead lines, in another they’re gone.


Moreover, while retouching a contemporary actress or model is futile when a paparazzo is around every corner ready to give the lie to their billboard, there is no chance of Hepburn or Monroe being papped at their local newsagents looking saggy or, even worse, doing something inappropriate or illegal that could reflect negatively on the brands they are representing.

Dead women are ideal brand ambassadors: compliant, submissive and easily manipulated, both figuratively and digitally. Thus it is unsurprising that Max Factor’s slogan for their new campaign (“From Norma Jean to Marilyn Monroe – created by Max Factor”) not only takes full credit for Monroe’s make-over but eliminates any agency Marilyn might have had in her own transformation. Luckily, she isn’t alive to argue otherwise.

Sometimes, of course, the women are themselves complicit in the ruse, sacrificing their contemporary selves in order to preserve the idealised image we have of them. In her 80s Dietrich, by then a recluse, agreed to participate in Maximilian Schell’s documentary about her but refused to be filmed, instead agreeing only to audio interviews so that she would only be remembered as she was at the peak of her career. Similarly Bettie Page, also in her 80s, was happy to license her pin-up image to lingerie and adverts but refused to be photographed at signings. "I want to be remembered," she told the LA Times, "as I was when I was young and in my golden times.”

While some companies have headed in the opposite direction – last year L’Oreal hired Helen Mirren, 69, as their global ambassador and this week 80-year-old Joan Didion was revealed as the face of Celine’s latest campaign – there are surely countless other beauty brands waiting for former screen sirens such as Sophia Loren, Catherine Deneuve and Brigitte Bardot to kick the bucket so they can begin exploiting images of them in their prime, without any worry that they might be snapped in the present day to remind unsuspecting consumers that the only real cure for aging is death.

Photo: Getty
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The campaign to keep Britain in Europe must be based on hope, not fear

Together we can show the world a generous, outward-facing Britain we can all be proud of.

Today the Liberal Democrats launched our national campaign to keep Britain in Europe. With the polls showing the outcome of this referendum is on a knife-edge, our party is determined to play a decisive role in this once in a generation fight. This will not be an easy campaign. But it is one we will relish as the UK's most outward-looking and internationalist party. Together in Europe the UK has delivered peace, created the world’s largest free trade area and given the British people the opportunity to live, work and travel freely across the continent. Now is the time to build on these achievements, not throw them all away.

Already we are hearing fear-mongering from both sides in this heated debate. On the one hand, Ukip and the feuding Leave campaigns have shamelessly seized on the events in Cologne at New Year to claim that British women will be at risk if the UK stays in Europe. On the other, David Cameron claims that the refugees he derides as a "bunch of migrants" in Calais will all descend on the other side of the Channel the minute Britain leaves the EU. The British public deserve better than this. Rather than constant mud-slinging and politicising of the world's biggest humanitarian crisis since the Second World War, we need a frank and honest debate about what is really at stake. Most importantly this should be a positive campaign, one that is fought on hope and not on fear. As we have a seen in Scotland, a referendum won through scare tactics alone risks winning the battle but losing the war.

The voice of business and civil society, from scientists and the police to environmental charities, have a crucial role to play in explaining how being in the EU benefits the British economy and enhances people's everyday lives. All those who believe in Britain's EU membership must not be afraid to speak out and make the positive case why being in Europe makes us more prosperous, stable and secure. Because at its heart this debate is not just about facts and figures, it is about what kind of country we want to be.

The Leave campaigns cannot agree what they believe in. Some want the UK to be an offshore, deregulated tax haven, others advocate a protectionist, mean-hearted country that shuts it doors to the world. As with so many populist movements, from Putin to Trump, they are defined not by what they are for but what they are against. Their failure to come up with a credible vision for our country's future is not patriotic, it is irresponsible.

This leaves the field open to put forward a united vision of Britain's place in Europe and the world. Liberal Democrats are clear what we believe in: an open, inclusive and tolerant nation that stands tall in the world and doesn't hide from it. We are not uncritical of the EU's institutions. Indeed as Liberals, we fiercely believe that power must be devolved to the lowest possible level, empowering communities and individuals wherever possible to make decisions for themselves. But we recognise that staying in Europe is the best way to find the solutions to the problems that don't stop at borders, rather than leaving them to our children and grandchildren. We believe Britain must put itself at the heart of our continent's future and shape a more effective and more accountable Europe, focused on responding to major global challenges we face.

Together in Europe we can build a strong and prosperous future, from pioneering research into life-saving new medicines to tackling climate change and fighting international crime. Together we can provide hope for the desperate and spread the peace we now take for granted to the rest of the world. And together we can show the world a generous, outward-facing Britain we can all be proud of. So if you agree then join the Liberal Democrat campaign today, to remain in together, and to stand up for the type of Britain you think we should be.