Richard Branson features in Billionaire's Paradise. Photo: Gareth Cattermole/Getty Images
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Fully loaded: Meet the Super-Rich shows a world beyond satire

"It's not the vulgarity that makes you want to puke so much as the asininity" in BBC season of wealth.

Meet the Super-Rich
BBC2

To cheer us all up as we plod pluckily on into the new year, the BBC has served up a “super-rich” season (and no, before you pile in with the jokes, it will not feature any of its own senior executives). Roughly speaking, the programmes fall into two camps: investigative/polemical and freak show. Either way the result is the same, the viewer’s appalled fascination shading first into queasiness and then into a kind of futile rage.

It’s not the vulgarity that makes you want to puke so much as the asininity. The super- rich, it seems, really are different from the rest of us, their stupidity extending to the purchase of such fatuous me-treats as £30,000 sessions at the spa and brassieres encrusted with diamonds. Here’s an image for you. On a private Caribbean island, a pink, bald, loaded Brummie slashes the sand again and again with a golf club, every ball flying straight out into the ocean where, being made of fish food, it soon dissolves to nothing. As several novelists have discovered to their detriment just lately, this is a world far beyond satire, the symbolism so powerful and obvious that it requires not the slightest literary gussying-up.

The £30,000 spa treatments came to us courtesy of Jacques Peretti, whose two-part series The Super-Rich and Us (8 and 15 Jan­uary, 9pm) explains why “trickle-down” economics as practised by every British government since Margaret Thatcher’s has not, as promised, made us all richer, and explores the consequences of Britain’s status as “the new Switzerland”. Grim territory. Peretti’s editing – in which he shoved a touching clip from Whatever Happened to the Likely Lads? (Bob and Thelma were gazing amazedly at the house they’d just bought) up against a promotional video for the development One Hyde Park (in essence, a collection not of central London apartments, but of safety deposit boxes for foreign billionaires), reminded me why I now find it impossible to watch Clement and La Frenais’s 1970s sitcom without tearing up. Like a golf ball made of fish food, the old hopes and aspirations have all dissolved. By 2030, the majority of people in Britain will be renters once more.

“We used to call it divine right,” said Nick Hanauer, a Seattle-based entrepreneur who earns £12,000 an hour. “Now we call it trickle-down economics.” Wealth like his own, he pointed out, just doesn’t convert into jobs, or even into high-street sales (though he earns a thousand times more than other people he doesn’t buy a thousand times more stuff). A lone voice among the super-rich, Hanauer would love to pay more tax. You could say that he regards doing so as a matter of life or death, because he fears the pitchforks will be coming for his kind pretty soon. But his government, like our own, won’t allow it. For the time being, the thinking goes, the gates – electronic, 24-hour CCTV, panic buttons – are plenty sturdy enough to keep out the barbarians.

In any case, why not enjoy the party while it lasts? The dissolving golf balls were brought to us by Billionaire’s Paradise: Inside Necker Island (6 January, 9pm), a film about Richard Branson’s home in the British Virgin Islands where, for a few months a year, it’s possible to rent a room – yours from £19,000 a week. This wasn’t a documentary: this was Holiday, with Branson as Cliff Michelmore. Not only does he love to extol the many virtues of his island home; he also, weirdly, makes a point of hanging out with the 30 guests.

“It’s been a long time since my wife wanted to jump on top of me,” he said, thanking two women for sending Mrs Branson back to his bed somewhat tipsy after a night of revels. In this version of “paradise”, fancy-dress parties abound, as do 1970s discos and sushi nights, during one of which the maki rolls were placed on the body of a moonlighting Necker accountant (having soy sauce sucked from her belly button, she told us, made a nice change of pace from the arithmetical rigours of her day job). I’d always thought that Necker would be classy: quiet and discreet. But no. Back on the beach, Patch, the aforementioned loaded Brummie, hacked away with his nine-iron, a giant adult baby sweating factor 15 and 21st-century ennui. 

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 08 January 2015 issue of the New Statesman, The Churchill Myth

Netflix
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SRSLY #99: GLOW / FANtasies / Search Party

On the pop culture podcast this week: the Netflix wrestling comedy GLOW, a new fanfiction-based web series called FANtasies and the millennial crime drama Search Party.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

GLOW

The show on Netflix.

Two interesting reviews: New York Times and Little White Lies.

Screen Rant on the real life wrestling connections.

FANtasies

The show on Fullscreen.

Amanda Hess’s NYT column about it.

Search Party

The show on All4.

For next time:

We are watching Happy Valley.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #98, check it out here.

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