Show Hide image Film 10 December 2014 Why Hollywood needs to listen to Chris Rock about its race problems On screen and off, Hollywood is terrible at giving opportunities to anyone who isn’t white, and one of the US’s biggest stars is calling them out on it. Sign up for our weekly email * Print HTML In a scathing editorial in the Hollywood Reporter, Chris Rock has confronted some issues that though obvious, are being blatantly ignored. He quite rightly points out that Hollywood is an exclusive, white industry that is terrible at giving opportunities to black and Latino people other than as the janitor. You only have to open your eyes to see this, but nobody, whether it be studio executives, producers, directors, other actors or critics, has been proactive in changing things. It’s OK to say it – Hollywood doesn’t care about black people. In Rock’s piece, he references a scene that was cut out of his upcoming film Top Five. The line goes “I'm the only black agent here. They never invite me to anything, and these people are liberals. This isn't the Klan.” It cuts to the heart of the bullshit that is liberalism – they don’t think they’re racist just because they don’t wear white hoods and call themselves “Grand Wizard”. You can count on one hand the number of black actors who are currently genuine stars in Hollywood: Denzel Washington, Will Smith and Samuel L Jackson. Halle Berry got relegated to television, Eddie Murphy’s career imploded, Jamie Foxx isn’t quite “it”, Tyler Perry’s an embarrassment and the likes of Idris Elba, Chiwetel Ejiofor, Kerry Washington, Don Cheadle and Anthony Mackie are mostly kept to supporting roles which wouldn’t be the case if they were white. As Rock states, you can go for weeks without seeing a significant black character on screen. Change doesn’t happen on its own – it has to be pushed and it certainly doesn’t happen overnight. I don’t know what the solution is or even if there is one aside from making it mandatory for you to have a certain amount of speaking roles for minorities in films. But I do know that nobody apart from racists would care if Batman was played by Idris Elba or if Seth Rogen’s loveable sidekick was Kevin Hart, even though black actors never even get considered for these roles. Every man and woman in the western hemisphere was under consideration for the two leading roles in Fifty Shades of Grey, except for black actors and actresses. What would be the difference if Christian Grey was black? There wouldn’t be one. What they’re saying is that people don’t find black people sexy, but as Rock puts it: “More women want to fuck Tyrese than Jamie Dornan, and it’s not even close. It’s not a contest. Even Jamie would go, ‘OK, you got it’.” It’s so absurd it’s almost impossible to comprehend. The key decision-makers in Hollywood are all white: every studio head is white, all the significant producers are white. Only Will Packer, responsible for things like Think Like a Man, Ride Along, No Good Deed and Takers is a notable black producer working on mainstream projects. All black talent needs is an opportunity and it’s not really getting one. Steve McQueen gave Chiwetel Ejiofor the leading role in 12 Years a Slave, which resulted in one of the best performances I’ve ever seen. Ejiofor has been waiting his entire career for a leading role and he proved all those people wrong who thought he “didn’t quite fit the part”, and would do so again if he ever gets another one. Chris Rock, probably the leading stand-up comedian of the last twenty years and second only to Richard Pryor at his craft, is right. Nobody wants to admit it, but he is. Race has always been integral to his stand-up act but he hasn’t attacked the medium he works in quite like he did in this editorial. An optimist would suggest that because such a high-profile figure has attacked the industry, change will follow, but I’m not an optimist and the fact is Hollywood is a white industry that doesn’t even pretend to care about black people. Of course, the irony is that Hollywood’s ignorance and discrimination is costing them millions – they’re alienating a massive demographic that could have helped out the worst US box-office in over a decade. You listen to Chris Rock and you’ll usually be in hysterics, but for once, he is being entirely serious. He’s speaking the truth that Hollywood doesn’t want to hear. › Marked man: the careful kindness of The Lost Honour of Christopher Jefferies Subscribe from just £1 per issue More Related articles Upon Remembering Westminster Bridge The film for The Lost City of Z was flown back from the jungle – and it was worth it How feminist was Disney's original Beauty and the Beast?